Extended techniques on the traverso: the case of the glissando and the flattement

Autor: Gemolo, Matteo

Publikováno v: ÍMPAR: Online Journal for Artistic Research; Vol 2 No 2 (2018); 30-47
ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 2 (2018); 30-47
ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 2 (2018); 30-47
ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 2 (2018); 30-47
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP

The so-called ‘extended techniques’ have become an essential resource at the disposal of composers wishing to enlarge the possibilities of the flute’s sound palette. Over the last four decades, a number of these techniques initially thought and

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b4197544636d88ba265fb3c86592ee0a
https://proa.ua.pt/index.php/impar/article/view/901

Affect is no crime – Technical and aesthetic perspectives on the contemporary traverso repertoire

Autor: Gemolo, Matteo

The Early Music movement has long been the subject of vigorous scholarly debate, especially since its entry into wider public consciousness towards the end of the 1970s. But the growing body of new music composed for period instruments since that tim

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::cd76906056c0b8c676c933e5fd87351d
https://orca.cardiff.ac.uk/id/eprint/142736/14/Gemolo_Affect_is_no_Crime_PhD_dissertation_FINAL_VERSION_corrections_4.pdf