Zobrazeno 1 - 10
of 90
pro vyhledávání: '"Geert van der Snickt"'
Autor:
Natalia Ortega Saez, Robbe Arno, Andrea Marchetti, Sabine Cauberghs, Koen Janssens, Geert Van der Snickt, Ehab Al-Emam
Publikováno v:
Heritage Science, Vol 11, Iss 1, Pp 1-17 (2023)
Abstract Gels are a popular cleaning method for paper conservators and a lot of research has been done concerning gel cleaning of paper objects over the last 15 years. Despite the close interconnection between the conservation fields of paper and pho
Externí odkaz:
https://doaj.org/article/57cf8854674b42b9b63236528245adc8
Autor:
Kirsten Derks, Geert Van der Snickt, Stijn Legrand, Katlijne Van der Stighelen, Koen Janssens
Publikováno v:
Heritage Science, Vol 10, Iss 1, Pp 1-16 (2022)
Abstract Although the topic is rarely addressed in literature, a significant number of baroque paintings exhibit dark, halo-like shapes around the contours of the dramatis personae. Close examination of both finished and unfinished works suggests tha
Externí odkaz:
https://doaj.org/article/c6662b3728954f05995c3d12d2aa388e
Autor:
Michaël Hillen, Seppe Sels, Bart Ribbens, Simon Verspeek, Koen Janssens, Geert Van der Snickt, Gunther Steenackers
Publikováno v:
Applied Sciences, Vol 13, Iss 7, p 4094 (2023)
When studying paintings with active infrared thermography (IRT), minimizing the temperature fluctuations and thermal shock during a measurement becomes important. Under these conditions, it might be beneficial to use lock-in thermography instead of t
Externí odkaz:
https://doaj.org/article/8eaccb99ac824d10854fd9211505aef3
Autor:
Jonas Simoen, Steven De Meyer, Frederik Vanmeert, Nouchka de Keyser, Ermanno Avranovich, Geert Van der Snickt, Annelies Van Loon, Katrien Keune, Koen Janssens
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-12 (2019)
Abstract The spontaneous chemical alteration of artists’ pigment materials may be caused by several degradation processes. Some of these are well known while others are still in need of more detailed investigation and documentation. These changes o
Externí odkaz:
https://doaj.org/article/97f1bc82164b43cdb38c4a8e5ef7bee1
Autor:
Steven De Meyer, Frederik Vanmeert, Rani Vertongen, Annelies van Loon, Victor Gonzalez, Geert van der Snickt, Abbie Vandivere, Koen Janssens
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-11 (2019)
Abstract The use of non-invasive macroscopic imaging techniques is becoming more prevalent in the field of cultural heritage, especially to avoid invasive procedures that damage valuable artworks. For this purpose, an X-ray powder diffraction scanner
Externí odkaz:
https://doaj.org/article/e2387cd6606c4b1b8aa1af373504b8a0
Autor:
Kathryn A. Dooley, E. Melanie Gifford, Annelies van Loon, Petria Noble, Jason G. Zeibel, Damon M. Conover, Matthias Alfeld, Geert Van der Snickt, Stijn Legrand, Koen Janssens, Joris Dik, John K. Delaney
Publikováno v:
Heritage Science, Vol 6, Iss 1, Pp 1-15 (2018)
Abstract Late paintings of Rembrandt van Rijn (1606–1669) offer intriguing problems for both art historians and conservation scientists. In the research presented here, the key question addressed is whether observed stylistic differences in paint h
Externí odkaz:
https://doaj.org/article/d53850a2a41644ee93b7468d939afda3
Autor:
Nouchka De Keyser, Geert Van der Snickt, Annelies Van Loon, Stijn Legrand, Arie Wallert, Koen Janssens
Publikováno v:
Heritage Science, Vol 5, Iss 1, Pp 1-13 (2017)
Abstract This article discusses the technical examination of five flower and fruit still life paintings by the seventeenth century artist Jan Davidsz. de Heem (1606–1684). The painter is known for his meticulously composed and finely detailed still
Externí odkaz:
https://doaj.org/article/1d4dc1c30bfc4aea9dc5db54308b59e9
Autor:
Alice Tavares da Silva, Stijn Legrand, Geert Van der Snickt, Rupert Featherstone, Koen Janssens, Giorgia Bottinelli
Publikováno v:
Heritage Science, Vol 5, Iss 1, Pp 1-9 (2017)
Abstract Magritte’s composition La condition humaine, 1935 was found to conceal under its paint layers an entire quarter of a lost composition by the artist, until recently only known from a small black/white catalogue illustration—La pose enchan
Externí odkaz:
https://doaj.org/article/8112d7e88fcb408e88832d1426f265df
Publikováno v:
Heritage Science, Vol 5, Iss 1, Pp 1-13 (2017)
Abstract The painting Saint Jerome, part of the collection of the Maagdenhuis Museum (Antwerp, Belgium), is attributed to the young Anthony van Dyck (1613–1621) with reservations. The painting displays remarkable compositional and iconographic simi
Externí odkaz:
https://doaj.org/article/1016d50746fc4820a584ca949ce4d370
Autor:
Annelies van Loon, Petria Noble, Anna Krekeler, Geert Van der Snickt, Koen Janssens, Yoshinari Abe, Izumi Nakai, Joris Dik
Publikováno v:
Heritage Science, Vol 5, Iss 1, Pp 1-13 (2017)
Abstract This paper reports on how the application of macro X-ray fluorescence (MA-XRF) imaging, in combination with the re-examination of existing paint cross-sections, has led to the discovery of a new pigment in Rembrandt’s palette: artificial o
Externí odkaz:
https://doaj.org/article/6f0fb3d649a348bb90889445a0a93712