Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Gastón A. Alzate"'
Autor:
Gastón A. Alzate, Christina Baker
Publikováno v:
Latin American Theatre Review. 54:191-198
Autor:
Gastón A. Alzate
Publikováno v:
Revista Iberoamericana. :167-188
Misceláneo 258
Autor:
Gastón A. Alzate
Publikováno v:
Latin American Theatre Review. 49:79-97
This article provides an overview of the origins of contemporary Mexican political cabaret in Mexico City since the 1970s. It takes into consideration the historical and political context of Mexican culture and the relations between countercultural m
Autor:
Gastón A. Alzate, Paola Marín
Publikováno v:
Latin American Theatre Review. 50:31-43
This article presents a practical approach to teaching Mexican political cabaret theatre in the US. It starts with a brief overview of the reasons why the movement begun to flourish in the 80s, as well as its connections to tent theatre ( carpa ), an
Autor:
Paola Marín, Gastón A. Alzate
Publikováno v:
Contemporary Theatre Review. 22:512-525
This essay deals with the performance artwork of Colombian artist Rosemberg Sandoval vis-a-vis the North/South paradigm. Sandoval (b. 1959) is a visual and performance artist trying to explicitly c...
Autor:
Gastón A. Alzate
Publikováno v:
El Ornitorrinco Tachado. Revista de artes visuales. :63
espanolEste ensayo analiza el contexto historico en el que a finales en la decada de los ochenta una generacion de artistas creo un genero multidisciplinario en el que se mezclaron el performance, la musica, el teatro y la poesia, al que desde esa ep
Autor:
Gastón A. Alzate
Publikováno v:
Latin American Theatre Review. 45:95-113
This essay analyses the work of Mexican cabaret artist Regina Orozco, focusing in particular on the incorporation of the operatic tradition in cabaret, the cultural dynamic of Mexican albur and the visual aesthetics of her performances. Her strategic
Autor:
Gastón A. Alzate
Publikováno v:
Latin American Perspectives. 37:62-76
Contemporary Mexican cabaret is an art genre akin to theater and based in part on the popular tent theater (Teatro de Carpa) of the 1920s and 1930s. It is profoundly connected to the exercise of critical citizenship vis-à-vis Mexican neoliberalism.
Autor:
Gastón A. Alzate
Publikováno v:
Revista Iberoamericana. 74:195-209
Autor:
Gastón A. Alzate
Publikováno v:
Latin American Theatre Review. 41:49-66
This essay evaluates Mexican cabaret as a genre revived and expanded in the last 25 years. I briefly analyze the first generation of contemporary cabaret performers, as well as more recent artists including Las Reinas Chulas and Carlos Pascual, among