Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Gabriela Abrasowicz"'
Autor:
Gabriela Abrasowicz
Publikováno v:
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Vol 2023, Iss 3, Pp 291-304 (2024)
Theatre in the countries that emerged after the break-up of Yugoslavia is one of those areas of contemporary culture that respond very quickly to social and political issues, ongoing discourses in the public space and challenges facing the community
Externí odkaz:
https://doaj.org/article/f9bc0fcc76d8445f872f9e4600c4799d
Autor:
Gabriela Abrasowicz
Publikováno v:
Slavica Wratislaviensia. 177:313-327
The COVID-19 pandemic caused the necessity to change the process of theatre production and facilitated the development of certain solutions enabling the presentation of its effects, such as the use of new technologies and a revamp of the “intimate
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::61951d19706a9d87df3dc63b3e9300b6
https://doi.org/10.19195/0137-1150.177.26
https://doi.org/10.19195/0137-1150.177.26
Autor:
Magdalena Koch, Gabriela Abrasowicz
Publikováno v:
Zbornik Akademije umetnosti. :68-85
The aim of this article is to present selected aspects of medicalization and politicization of the female body as a theme in contemporary Croatian drama and theatre. Our analysis presents artistic proposals discussing women's reproductive functions a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::891baa0d40c6b153babf6c7c5ad79b37
https://doi.org/10.5937/zbaku2210068k
https://doi.org/10.5937/zbaku2210068k
Autor:
Gabriela Abrasowicz
Publikováno v:
Miscellanea Posttotalitariana Wratislaviensia. 8:135-147
The turn of the millennia was full of events fundamental to negotiating and reinterpreting freedom. The citizens of the collapsing federal Yugoslavia, and then the seven new states that were forming, experienced this in a special way. Post-Yugoslav a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f5519b00ef439a8e5666efeeb566a062
https://doi.org/10.19195/2353-8546.8.11
https://doi.org/10.19195/2353-8546.8.11
Autor:
Gabriela Abrasowicz
Publikováno v:
Zbornik Radova Akademije Umetnosti, Vol 2020, Iss 8, Pp 16-29 (2020)
Gabriela Abrasowicz
Gabriela Abrasowicz
The post-Yugoslav macro-region is a dynamic and complex zone, where contemporary tensions between cultural homogenization and cultural heterogenization are manifested. It contains an idiom of multilingualism, multi-ethnicity, multi-religiosity, and c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::28e0a613b5077c520f9c059b814de910
https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2020/2334-86662008016A.pdf
https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2020/2334-86662008016A.pdf
Autor:
Gabriela Abrasowicz
Publikováno v:
AM Journal of Art and Media Studies. :51-64
The issue of corporeality is one of the dominant motifs in contemporary women’s playwriting in the countries formed after the collapse of Yugoslavia. At the turn of the 20th and 21st centuries women’s bodies function as a specific open register i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b6cbe44cf962eb92db87b5316b6714ee
https://doi.org/10.25038/am.v0i18.296
https://doi.org/10.25038/am.v0i18.296
Autor:
Magdalena Koch, Uniwersytet im. Adama Mickiewicza, Wieniawskiego , Poznań, Poland, Gabriela Abrasowicz, Uniwersytet Śląski w Katowicach, Bankowa , Katowice
Publikováno v:
Studia Litteraria. 13:237-255
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de4a61897fc01cc2db35d39b7ba2d97a
https://doi.org/10.4467/20843933st.18.021.9474
https://doi.org/10.4467/20843933st.18.021.9474
Autor:
Gabriela Abrasowicz
Publikováno v:
Miscellanea Posttotalitariana Wratislaviensia. 6:93-105
Children’s traumatic enactment in contemporary Serbian theatreThe problem of traumatic codes in post-Yugoslav theater is increasingly attracting attention of many researches. Dramas written by Serbian authors: Biljana Srbljanović, Milan Marković
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::639181052d51be445053cba27dee3eea
https://doi.org/10.19195/2353-8546.6.8
https://doi.org/10.19195/2353-8546.6.8
Autor:
Gabriela Abrasowicz
Publikováno v:
Od mobilnosti do interakcije. Dramsko pismo i kazalište u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::23988ff72849ea11124bc295d864e844
https://doi.org/10.31261/pn.3977.02
https://doi.org/10.31261/pn.3977.02
Autor:
Gabriela Abrasowicz
Autobiographism has been noticeably conquering the Croatian theatre which results in specific artistic projects, mainly falling into the category of theatre of the real. This material calls for a description of strategies, functions and potentials. T
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bc5c39a7861a25fdf17244448fce64b4
http://hdl.handle.net/20.500.12128/19497
http://hdl.handle.net/20.500.12128/19497