Zobrazeno 1 - 10
of 28
pro vyhledávání: '"GENDUSA, Enza Maria Ester"'
Autor:
Gendusa, Enza Maria Ester
The volume offers the Italian public a new translation of George Bernard Shaw's novella, The Adventures of the Black Girl in Her Search for God (1932), with its facing-page original. In the novella contemporary readers will find the innovative figura
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::820ab767d28a0a99bd7fd29ff13d0164
http://hdl.handle.net/10447/438692
http://hdl.handle.net/10447/438692
Autor:
Gendusa, Enza Maria Ester
The essay illustrates the ways in which the incorporation of authentic excerpts from Mary Seacole’s autobiography in Bernardine Evaristo’s novel Soul Tourists acquires a significant cultural value within the novel’s representational strategies.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::46b825a4cb6dee37819939fbf0a05f2d
http://hdl.handle.net/10447/438707
http://hdl.handle.net/10447/438707
Autor:
Gendusa, Enza Maria Ester
Pat Barker’s Regeneration (1991) offers an imaginative deconstruction of the myth of the Great War as produced within British official patriotic rhetoric and in some of the best-known lyrics by Wilfred Owen (1893- 1918), who, together with Siegfrie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::c0420d547edec7cd8750168a0f0c5735
http://hdl.handle.net/10447/438751
http://hdl.handle.net/10447/438751
Autor:
Gendusa, Enza Maria Ester
This essay shows how the London-born Anglo-Nigerian author Bernardine Evaristo contributes, with her Soul Tourists (2005), to deconstructing modern European nationalist and racially exclusivist models by means of anti-essentialist representational st
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::ea99b5729e39cf00b263ad7a22bfda20
http://hdl.handle.net/10447/438757
http://hdl.handle.net/10447/438757
Autor:
Gendusa, Enza Maria Ester
In exploring the complex female identity models that are articulated in Margaret Atwood’s The Robber Bride, this essay foregrounds Atwood’s sensitiveness to one of the major feminist issues of the early nineties: the debate over whether it is/was
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::ddc4aa92cdc3990bc5906cf56a6af27f
http://hdl.handle.net/10447/438735
http://hdl.handle.net/10447/438735
Autor:
Gendusa, Enza Maria Ester
Underpinned by an interpretative grid where the analytic categories of gender and race are interwoven, the paper contends that Doris Lessing’s first novel, The Grass Is Singing (1950), unveils and dismantles culturally-constructed inscriptions of t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::b8074e34be54eeb038c66a6b8e872093
http://hdl.handle.net/10447/438728
http://hdl.handle.net/10447/438728
Autor:
Gendusa, Enza Maria Ester
This paper is informed by an interpretative framework in which the theoretical paradigms of Cultural, Gender, (Post-)colonial and Tourism studies are interwoven. It is claimed that fostering a specific kind of literary and cultural tourism, centred o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::88fb58f8bd3b5cdc9994c88402150024
http://hdl.handle.net/10447/438759
http://hdl.handle.net/10447/438759
Autor:
Gendusa, Enza Maria Ester
Informed by an interpretative framework where the theoretical paradigms of British Cultural studies and Black feminism inextricably interweave, the paper aims at illustrating a complex identity model of the Black British woman as delineated in Anglo-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::f0a318400df42abdce314c1dd59286d7
http://hdl.handle.net/10447/438749
http://hdl.handle.net/10447/438749