Zobrazeno 1 - 10
of 16
pro vyhledávání: '"G. Douglas Barrett"'
Autor:
G Douglas Barrett
After Sound considers contemporary art practices that reconceive music beyond the limitation of sound. This book is called After Sound because music and sound are, in Barrett's account, different entities. While musicology and sound art theory alike
Autor:
G Douglas Barrett
Publikováno v:
Cultural Critique. 118:56-82
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::32f4bf38bcc9bca15180cdd8b15b6d7f
https://doi.org/10.1353/cul.2023.0009
https://doi.org/10.1353/cul.2023.0009
Autor:
G. Douglas Barrett
Publikováno v:
Twentieth-Century Music. 19:3-27
This article analyses composer Pamela Z's work in light of critiques of posthumanism from Black studies and sound/music studies. Z's large-scale multimedia workVoci(2003), which the artist describes as a ‘polyphonic mono-opera’, consists of a ser
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2f3478786985ab968c8853710bc62296
https://doi.org/10.1017/s1478572221000074
https://doi.org/10.1017/s1478572221000074
Autor:
G Douglas Barrett
Publikováno v:
caa.reviews.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34dd8ee204be8ce62a5952e89a735b17
https://doi.org/10.3202/caa.reviews.2022.77
https://doi.org/10.3202/caa.reviews.2022.77
Autor:
G. DOUGLAS BARRETT
Publikováno v:
Yearbook for Traditional Music. 53:175-177
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::56677de28bb6283cfd74f0bfa6656553
https://doi.org/10.1017/ytm.2021.16
https://doi.org/10.1017/ytm.2021.16
Autor:
G. Douglas Barrett
Publikováno v:
Twentieth-Century Music. 18:223-248
This article elaborates the art-theoretical concept of ‘the contemporary’ along with formal differences between contemporary music and contemporary art. Contemporary art emerges from the radical transformations of the historical avant-garde and n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7195a1b95ede34a4e7c5b81fba0a8530
https://doi.org/10.1017/s1478572220000626
https://doi.org/10.1017/s1478572220000626
Autor:
G. Douglas Barrett
Publikováno v:
The Bloomsbury Handbook of Sonic Methodologies. :369-382
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9105a483d6a827b16679fbdccd4d8f56
https://doi.org/10.5040/9781501338786.ch-022
https://doi.org/10.5040/9781501338786.ch-022
Autor:
G Douglas Barrett
An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter
Autor:
G Douglas Barrett
Publikováno v:
Transfers. 8:130-134
Reassembly, curated by G Douglas Barrett and Petros Touloudi Tinos, Greece 5 July 2017 to 31 October 2017 The free movement of bodies and objects once considered critical for the smooth functioning of contemporary art has appeared, especially since 2
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d5b4e5615956282e84a5c65cd3cbef8
https://doi.org/10.3167/trans.2018.080310
https://doi.org/10.3167/trans.2018.080310
Autor:
G Douglas Barrett
Publikováno v:
Journal of the Royal Anthropological Institute. 26:472-473
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::83b8994ae9bf8f780b1d78a56236df22
https://doi.org/10.1111/1467-9655.13295
https://doi.org/10.1111/1467-9655.13295