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pro vyhledávání: '"G. Andrew Stuckey"'
Autor:
G. Andrew Stuckey
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of m
Autor:
G. Andrew Stuckey
Publikováno v:
Metacinema in Contemporary Chinese Film
“True Lies” focuses on the truth claims inherent in the act of narrating a story. Through linked close readings of Jiang Wen’s In the Heat of the Sun (1994) and Lou Ye’s Suzhou River (2000), we see that the authority of the mostly unseen narr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b7f4f7146438dc46491a208a5ffd7f8
https://doi.org/10.5790/hongkong/9789888390816.003.0004
https://doi.org/10.5790/hongkong/9789888390816.003.0004
Autor:
G. Andrew Stuckey
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. The prevalence of metacinematic features
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::30cf1598117baf432a94c7e58da86127
https://doi.org/10.2307/j.ctt22p7jdq
https://doi.org/10.2307/j.ctt22p7jdq
Autor:
G. Andrew Stuckey
Publikováno v:
Metacinema in Contemporary Chinese Film
Li Yu, one of the few female Chinese film directors, has focused on female characters and issues women face. Lost in Beijing (2007) tells the story of Liu Pingguo, a migrant worker in Beijing who is raped by her boss. When she becomes pregnant, her h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ff2c6a7d792203095577d79fbfd627d0
https://doi.org/10.5790/hongkong/9789888390816.003.0006
https://doi.org/10.5790/hongkong/9789888390816.003.0006
Autor:
G. Andrew Stuckey
The “Introduction” describes the theoretical and practical understanding of what metacinema is and does in the context of Chinese filmmaking. Metacinema is a kind of textual reflexivity that foregrounds the mechanisms involved in the creation or
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5e8b5bd15c5983e68cb610097a930ab1
https://doi.org/10.5790/hongkong/9789888390816.003.0001
https://doi.org/10.5790/hongkong/9789888390816.003.0001
Autor:
G. Andrew Stuckey
Publikováno v:
Metacinema in Contemporary Chinese Film
Documentary film in the PRC has become an important mode in the palate of Sixth Generation (or urban or independent) filmmaking. The recent prominence of documentary turns on the notion of indexicality and the capacity for film to present reality. Ji
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dfd59096d44c6cea0917c93ab333568a
https://doi.org/10.5790/hongkong/9789888390816.003.0005
https://doi.org/10.5790/hongkong/9789888390816.003.0005
Autor:
G. Andrew Stuckey
Publikováno v:
Metacinema in Contemporary Chinese Film
Peter Chan’s 2005, Perhaps Love, depicts the filming of a musical film, and serves as a prime example of mise-en-abîme metacinema, or in other words, the metacinema of production. Close reading of the film reveals the circulation of musical genre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::91b6bd8083d3d2ac90158e1ee67bb37e
https://doi.org/10.5790/hongkong/9789888390816.003.0002
https://doi.org/10.5790/hongkong/9789888390816.003.0002
Autor:
G. Andrew Stuckey
Publikováno v:
Asian Cinema. 25:33-48
Autor:
G. Andrew Stuckey
Publikováno v:
Journal of Chinese Cinemas. 8:17-36
Despite achieving significant success at the box office, academic considerations of Peter Ho-sun Chan's 2005 musical, Perhaps Love, have mostly focused on it as an example of pan-Asian film production and marketing. This article, in contrast, offers