Zobrazeno 1 - 10
of 517
pro vyhledávání: '"G Erdmann"'
Autor:
LT Laagland, FC Bach, FM Riemers, G Erdmann, TS Braun, GGH van den Akker, TC Schmitz, LB Creemers, C Sachse, CL Le Maitre, TJM Welting, K Ito, MF Templin, MA Tryfonidou
Publikováno v:
European Cells & Materials, Vol 46, Pp 57-90 (2023)
Chronic low back pain is often caused by intervertebral disc (IVD) degeneration. Preceding this degenerative process, the main cellular phenotype in the nucleus pulposus shifts from notochordal cells (NCs) to nucleus pulposus cells (NPCs). In previou
Externí odkaz:
https://doaj.org/article/6c9eaeb63e37423c98fe5a62ccfa3925
Autor:
Abbie Vandivere, Annelies van Loon, Kathryn A. Dooley, Ralph Haswell, Robert G. Erdmann, Emilien Leonhardt, John K. Delaney
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-16 (2019)
Abstract The initial steps that Johannes Vermeer took to create Girl with a Pearl Earring (c. 1665) are, partially or completely, hidden beneath the painted surface. Vermeer’s painting technique involved applying underlayers that vary in colour and
Externí odkaz:
https://doaj.org/article/80f662aa642e47c9b082a4a48f9048c8
Autor:
Francesca Gabrieli, John K. Delaney, Robert G. Erdmann, Victor Gonzalez, Annelies van Loon, Patrick Smulders, Roy Berkeveld, Robert van Langh, Katrien Keune
Publikováno v:
Sensors, Vol 21, Iss 20, p 6855 (2021)
Visible and infrared reflectance imaging spectroscopy is one of the several non-invasive techniques used during Operation Night Watch for the study of Rembrandt’s iconic masterpiece The Night Watch (1642). The goals of this project include the iden
Externí odkaz:
https://doaj.org/article/9160b709ac60445c8047b5408e0b4a23
Akademický článek
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Autor:
Gauthier Patin, Robert G. Erdmann, Frank Ligterink, Johan G. Neevel, Klaas Jan van den Berg, Ella Hendriks
Publikováno v:
Journal of Cultural Heritage, 57, 276-285. Elsevier
This paper introduces a new set-up for the determination of colour change on cultural heritage objects, referred to herein as a stereo-microfading tester. The system uses high quality optics through the implementation of a stereo-microscope as its ce
Akademický článek
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Autor:
Anna Tummers, Robert G. Erdmann
Publikováno v:
Analytical Chemistry for the Study of Paintings and the Detection of Forgeries ISBN: 9783030868642
This essay traces the evolution of connoisseurship in the Netherlands from the early twentieth century to current and future challenges. In the twentieth century, the attitude of art historians towards chemistry varied from extreme distrust to extrem
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b0c4d9faad529a4706341f844f5e7bec
https://doi.org/10.1007/978-3-030-86865-9_1
https://doi.org/10.1007/978-3-030-86865-9_1
Autor:
Robert G. Erdmann, Francesca Gabrieli, Patrick Smulders, John K. Delaney, Víctor M. González, Katrien Keune, Roy Berkeveld, Annelies van Loon, Robert van Langh
Publikováno v:
Sensors
Volume 21
Issue 20
Sensors, Vol 21, Iss 6855, p 6855 (2021)
Volume 21
Issue 20
Sensors, Vol 21, Iss 6855, p 6855 (2021)
Visible and infrared reflectance imaging spectroscopy is one of the several non-invasive techniques used during Operation Night Watch for the study of Rembrandt’s iconic masterpiece The 
Night Watch (1642). The goals of this project includ
Night Watch (1642). The goals of this project includ
Autor:
John K. Delaney, Kathryn A. Dooley, Robert G. Erdmann, Annelies van Loon, Ralph Haswell, Emilien Leonhardt, Abbie Vandivere
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-16 (2019)
The initial steps that Johannes Vermeer took to create Girl with a Pearl Earring (c. 1665) are, partially or completely, hidden beneath the painted surface. Vermeer’s painting technique involved applying underlayers that vary in colour and thicknes
Autor:
Robert G. Erdmann, Erma Hermens, A. van Loon, Katrien Keune, Petria Noble, E. van Duijn, G. Tauber, S. Smelt
Publikováno v:
The Rijksmuseum Bulletin, 66(4), 308-345. Rijksmuseum Publications Department
This article focuses on the conservation history and recent treatment (2016-2018) of the newly acquired pendant portraits of Marten Soolmans and Oopjen Coppit painted by Rembrandt in 1634. Much new information is brought to light about the nineteen-f