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pro vyhledávání: '"Gómez del Sol, Manuel"'
Autor:
González Marín, Luis Antonio, Ezquerro, Antonio, Sousa, Helder, Fiorentino, Giuseppe, Palacios, José Ignacio, Gómez del Sol, Manuel, Sabaino, Daniele, Mangani, Marco, Estudente, Paulo, Figueiredo, Joao Rebelo, Carpentier, Rachel, O'Connor, Michael
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1106::b8aae8fe3e9d1a2c5978b565f48850f8
http://hdl.handle.net/10261/303318
http://hdl.handle.net/10261/303318
Autor:
Aguirre Rincón, María Soterraña, Griffiths, John, Gutiérrez Cajaraville, Carlos, López Suero, Ana, Fiorentino, Giuseppe, Ramos López, Pilar, Gómez del Sol, Manuel, García Pérez, Amaya Sara, Andrés Fernández, David, Cruz Rodríguez, Javier, Ruiz Albi, Irene
Publikováno v:
UVaDOC. Repositorio Documental de la Universidad de Valladolid
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Producción Científica
Why is it that Renaissance musicians (in Spain in this case) could identify as the same work compositions that today might be seen as different? Wherein was the commonality? Current ontologies of music, deeply rooted in m
Why is it that Renaissance musicians (in Spain in this case) could identify as the same work compositions that today might be seen as different? Wherein was the commonality? Current ontologies of music, deeply rooted in m
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::b4e7d24bf4d40d8ee4a453adb44ddacc
http://uvadoc.uva.es/handle/10324/40582
http://uvadoc.uva.es/handle/10324/40582
Autor:
Gómez del Sol, Manuel
Publikováno v:
Digital.CSIC. Repositorio Institucional del CSIC
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[EN] Lamentations have been cultivated throughout the history of Western music, from Antiquity to the twenty-first century, yet the study of this genre has been subjected to unequal treatment in the historiography of sacred music. There are still a l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::fcf5f10d644af5e98a6cec6b707d1e52
https://eprints.ucm.es/39500/
https://eprints.ucm.es/39500/