Zobrazeno 1 - 10 of 279 pro vyhledávání: '"Fugue (hash function)"'
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Cadence in Fugue: Modes of Closure in J. S. Bach's Well-tempered Clavier
Autor: William E. Caplin
Publikováno v: Music Theory and Analysis (MTA). 7:180-240
In the traditional theory of fugue, the issue of cadence is normally relegated to a minor role, with only cursory attention given to how cadences articulate various modes of closure within a fugue. This article offers new perspectives on cadential pr
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::54bf49fa9ee8abcdb9e1508b28fca780
https://doi.org/10.11116/mta.7.1.4
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6
On the genre and performance peculiarities of J. S. Bach’s choral fugue (on the example of comparative analysis of BWV 131 and BWV 131a)
Autor: Hаnna Kharakoz
Publikováno v: Aspects of Historical Musicology. 21:164-179
Background. Despite the vast musical material associated with the embodiment in the choral texture of the highest polyphonic form – the fugue, there is lack of the literature that would outline the specificity of this arrangement, its fundamental p
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::99331fb471486f1bb5cd57cff5ed6c5d
https://doi.org/10.34064/khnum2-21.11
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9
V. Shenderovich. 'A Flute Solo': on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue)
Autor: Eleonora Lassan
Publikováno v: Жанры речи, Vol 26, Iss 2, Pp 146-154 (2020)
In 2015, “Vremya publishing house” issued “A Flute Solo”, a book by V. Shenderovich, of multigenre and,­ according to the author of the article, intermedia na­ture, since its content peculiarities of a political satire and a tragedy, a farc
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9d56a76b07524559f5985935781410c8
https://doi.org/10.18500/2311-0740-2020-2-26-146-154
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