Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Frederick Lau"'
Publikováno v:
Surgical Practice.
Autor:
Frederick Lau
Publikováno v:
Conference on Interdisciplinary Musicology.
Autor:
Frederick Lau
Publikováno v:
International Communication of Chinese Culture. 7:101-115
In 1940 the Chinese hit "Rose, Rose, I Love You" was released by Pathe Records in Shanghai and subsequently remade into numerous cover songs outside China. That a locally produced song could catapult onto the world stage was as much an endorsement of
Autor:
Frederick Lau
Publikováno v:
International Communication of Chinese Culture. 7:79-84
Autor:
Frederick Lau
Publikováno v:
Making Waves ISBN: 9780824874872
Making Waves
Making Waves
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f92139cff594191b2f7f703e7c017e45
https://doi.org/10.1515/9780824874872-006
https://doi.org/10.1515/9780824874872-006
Autor:
Frederick Lau, Christine R. Yano
Publikováno v:
Making Waves ISBN: 9780824874872
Making Waves
Making Waves
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e8e272b5db70d7749f7206e6919d32be
https://doi.org/10.1515/9780824874872-002
https://doi.org/10.1515/9780824874872-002
Autor:
Frederick Lau
Publikováno v:
Polycultural Synthesis in the Music of Chou Wen-chung
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9c4f7989a4565b196aac30d5afa0d722
https://doi.org/10.4324/9781315267760-1
https://doi.org/10.4324/9781315267760-1
Autor:
Frederick Lau, Christine R. Yano
Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intac
Autor:
Frederick Lau
Publikováno v:
International Communication of Chinese Culture. 2:31-47
Chinese regional cultures have often been viewed as subsidiary to a perceived unified national culture. Implicit in this perspective is the validation of the prestige, power, and authority of the center. This view invariably renders regional cultures
Autor:
Frederick Lau
Publikováno v:
Contemporary Music Review. 26:585-603
‘East Meets West’ is a label often used to refer to compositions that incorporate Asian and European musical elements. Despite its popularity, this characterization is problematic. It not only essentializes both regions, but also trivializes the