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pro vyhledávání: '"Francis Lamport"'
Autor:
Francis Lamport
Publikováno v:
Oxford German Studies. 45:393-404
Goethe's Die naturliche Tochter and Schiller's Die Braut von Messina appeared simultaneously in 1803, and both represent experiments in extreme ‘classicizing’ stylization. Both might appear to sacr...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::794746276c3d12cb5758ce360dd8d121
https://doi.org/10.1080/00787191.2016.1243324
https://doi.org/10.1080/00787191.2016.1243324
Autor:
Francis Lamport
Publikováno v:
Publications of the English Goethe Society. 83:89-99
Schumann was ahead of his time in choosing to set scenes from Part II of Goethe’s Faust, which was little appreciated at the time; but the theme of redemption held a particular attraction for him. Accordingly, he began by setting the final ‘Bergs
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::29c694b6a32beec1352671a418bbf823
https://doi.org/10.1179/0959368314z.00000000034
https://doi.org/10.1179/0959368314z.00000000034
Autor:
Francis Lamport
Publikováno v:
Oxford German Studies. 42:259-264
Goethe’s ‘Iphigenie auf Tauris’ occupies a key position in the reception history of Euripides’ play, and has itself been subjected, particularly in more recent years, to radical and even hostile reinterpretations. But it is surely still possi
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https://explore.openaire.eu/search/publication?articleId=doi_________::4be1a96e8e628fdb83295bb8d49f5035
https://doi.org/10.1179/0078719113z.00000000044
https://doi.org/10.1179/0078719113z.00000000044
Autor:
Francis Lamport
Publikováno v:
Publications of the English Goethe Society. 82:1-15
Christian Felix Weisse (1726–1804), in addition to many other works, composed ten tragedies between the 1750s and 1770s, which show a remarkable development and can be seen to mirror, perhaps even go beyond, the general development of German traged
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https://explore.openaire.eu/search/publication?articleId=doi_________::489d45a4c5456c819f3c3ddc8f585026
https://doi.org/10.1179/0959368312z.00000000013
https://doi.org/10.1179/0959368312z.00000000013
Autor:
Francis Lamport
Publikováno v:
Publications of the English Goethe Society. 80:107-114
Grillparzer on several occasions expressed hostility to the notion of drama expressing ideas or abstractions, but he is by no means consistent in this respect. Moreover, of his own plays, Das goldene Vlies was stated by him to be 'die Ausfuhrung [ein
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6af7cb858300df1f7c39c8904788be45
https://doi.org/10.1179/095936811x12997586789250
https://doi.org/10.1179/095936811x12997586789250
Autor:
Francis Lamport
Publikováno v:
Oxford German Studies. 39:54-69
Grillparzer's trilogy Das goldene Vlies, Wagner's operatic tetralogy Der Ring des Nibelungen and Hebbel's trilogy Die Nibelungen have many common features of form, thematic content, and dramatic motif — many of them probably derived from a common,
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https://explore.openaire.eu/search/publication?articleId=doi_________::d58f915db350a6a685de06643e4089ca
https://doi.org/10.1179/007871910x502532
https://doi.org/10.1179/007871910x502532
Autor:
Francis Lamport
Publikováno v:
Publications of the English Goethe Society. 77:69-76
One of Frank Fowler's abiding interests was the drama of Friedrich Hebbel and its relationship to that of Schiller. This paper examines in this light Hebbel's first completed play, Judith and its thematic relation to Schiller's Jungfrau von Orleans,
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https://explore.openaire.eu/search/publication?articleId=doi_________::d0d1573ebde5b4ad69e3d7a0623b3aca
https://doi.org/10.1179/174962808x264670
https://doi.org/10.1179/174962808x264670
Autor:
Francis Lamport
Publikováno v:
Publications of the English Goethe Society. 75:25-35
Passion, specifically love, and political interest are present in all Schiller's plays, often to powerful theatrical effect. Schiller thought politics in themselves a 'cold' subject, needing the admixture of some 'purely human' interest to bring them
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https://explore.openaire.eu/search/publication?articleId=doi_________::58037f367796219c55398e4dca0f1058
https://doi.org/10.1179/174962806x99603
https://doi.org/10.1179/174962806x99603
Autor:
Francis Lamport
Publikováno v:
German Life and Letters. 58:247-270
The article explores some of the connections between the translations of Euripides’Iphigenia in Aulis and The Phoenician Women, which Schiller made in 1788–9, and his own later ‘classical’ plays. Schiller chose not directly to imitate the met
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https://explore.openaire.eu/search/publication?articleId=doi_________::1cc76977064b2efd2002f10227a0f745
https://doi.org/10.1111/j.0016-8777.2005.00319.x
https://doi.org/10.1111/j.0016-8777.2005.00319.x
Autor:
Francis Lamport
Publikováno v:
German Literature of the Eighteenth Century. :155-184
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e246e9c4a5f7ee17dbc07e1324ed88f
https://doi.org/10.1017/9781571136435.008
https://doi.org/10.1017/9781571136435.008