Zobrazeno 1 - 10
of 30
pro vyhledávání: '"Francis Knights"'
Publikováno v:
Empirical Musicology Review, Vol 17, Iss 1, Pp 2-10 (2023)
The unfinished final Contrapunctus from Bach’s posthumously-published Kunst der Fuge has received several dozen completions over the past century. Although the majority of these have been published and recorded, none has yet established themselves
Externí odkaz:
https://doaj.org/article/1951ac416ae545168baa8a62ddd19a36
Publikováno v:
Early Music. 49:565-577
The five-part votive antiphon O splendor gloriae is attributed to Taverner in two important sources, but to both Taverner and Tye in the other two 16th-century sources. Joint works of this kind in classical music are extremely rare, and common author
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef26e7649b39e33a732f963b146b53ee
https://doi.org/10.1093/em/caab072
https://doi.org/10.1093/em/caab072
Publikováno v:
Journal of Mathematics and Music. 16:18-28
Mathematical methods, specifically Network Theory, are used here to investigate musical complexity as a marker of stylistic development. Proceeding from the premise that an 18th century classical c...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3e25f0ffae8a1a2928738b64318d5db6
https://doi.org/10.1080/17459737.2020.1825844
https://doi.org/10.1080/17459737.2020.1825844
Autor:
Francis Knights
Publikováno v:
Early Music. 48:413-416
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f9bca83dd038a34fb500ece0ffbbf391
https://doi.org/10.1093/em/caaa054
https://doi.org/10.1093/em/caaa054
Autor:
Francis Knights
Publikováno v:
Muzikologija, Vol 2019, Iss 27, Pp 137-162 (2019)
The creation and expansion of commercial music printing from around 1500 has normally led to modern editors assigning textual primacy to published copies of music from the period in preference to any equivalent manuscript copies. However, some groups
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ef990bcb7514310db2a4d3c90f3ec595
https://doi.org/10.2298/muz1927137k
https://doi.org/10.2298/muz1927137k
Publikováno v:
Mathematics and Computation in Music ISBN: 9783319718262
MCM
MCM
The problem of identifying musical styles using mathematical tools is central not only in musicology and the mathematical theory of music, but also in applications to music pattern recognition and automated music generation in a particular idiom. In
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9cf82cbea24224dedc1970f5942a9765
https://doi.org/10.1007/978-3-319-71827-9_20
https://doi.org/10.1007/978-3-319-71827-9_20
Autor:
Francis Knights
Publikováno v:
Early Music. 42:664-667
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f23e914e0c4528a1252d7b7624e763c1
https://doi.org/10.1093/em/cau114
https://doi.org/10.1093/em/cau114
Autor:
Francis Knights
Publikováno v:
Early Music. 41:11-15
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0d3846efb96519ab526c9b4ec00d969b
https://doi.org/10.1093/em/cat013
https://doi.org/10.1093/em/cat013
Autor:
Francis Knights
Publikováno v:
Early Music. 40:520-523
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::71debe5cfa526842d2c4f5d2df7a552f
https://doi.org/10.1093/em/cas098
https://doi.org/10.1093/em/cas098