Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Francesco Carapezza"'
Autor:
Francesco Carapezza
Publikováno v:
Lecturae Tropatorum, Vol 5, Pp 1-31 (2012)
The attribution of this love song to the troubadour from Rouergue, Daude de Pradas, according to the only Occitan testimony, i.e. song-book C, was considered impossible or at least suspicious by many scholars for the mere fact that its first verse is
Externí odkaz:
https://doaj.org/article/10b7ac5fb53844da96ddce061594cff2
Autor:
Francesco Carapezza
Publikováno v:
Lecturae Tropatorum, Vol 1, Pp 1-26 (2008)
The article provides a commentary and a new interpretation of Garin lo Brun’s poem “Nueyt et jorn”. The unusual typology of this dialogical poem has led to problems concerning generic classification, since it starts with an introductory stanza
Externí odkaz:
https://doaj.org/article/22527e06efe14ca586c9ee19df67d4ae
Autor:
Francesco Carapezza
Publikováno v:
Zeitschrift für romanische Philologie. 135:892-895
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8bda30bcaad632c03e04d136cdbbf796
https://doi.org/10.1515/zrp-2019-0048
https://doi.org/10.1515/zrp-2019-0048
Autor:
Francesco Carapezza
La famosa alba attribuita da alcuni canzonieri a Giraut de Borneil è stata ultimamente al centro di una serie di autorevoli contributi, concomitanti alla scoperta di un’antica traduzione italiana del testo provenzale, che hanno cercato di definirn
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::47f4f03bbaf72d9cf941d8a960fcd5e6
http://hdl.handle.net/10447/297043
http://hdl.handle.net/10447/297043
Autor:
Francesco Carapezza
Publikováno v:
Romance Philology. 62:100-110
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::029ade57b33c3a58a8cdda238eceeb62
https://doi.org/10.1484/j.rph.2.305850
https://doi.org/10.1484/j.rph.2.305850
Autor:
Francesco Carapezza
Publikováno v:
Zeitschrift für romanische Philologie (ZrP). 122:345-349
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d9e7f9367ddd1023eb5fe8d75759ad0a
https://doi.org/10.1515/zrph.2006.345
https://doi.org/10.1515/zrph.2006.345
Autor:
Francesco Carapezza
The discovery, made by E. Langlois in 1910, of a notated musical staff at the end of a little-known parodic laisse probably written within the 13th century by an otherwise unknown Thomas de Bailleul (MS London, BL, Royal 20 A XVII) immediately raised
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d1099605c5ed90ffaac6f37afec1ba7b
http://hdl.handle.net/10447/123434
http://hdl.handle.net/10447/123434