Zobrazeno 1 - 10
of 11
pro vyhledávání: '"François Mouillot"'
Publikováno v:
Cinéma & Cie, Vol 19, Iss 33 (2019)
Externí odkaz:
https://doaj.org/article/752cebb89f3e42ed85413771c8ba76df
Autor:
Damien Charrieras, François Mouillot
Publikováno v:
Fractured Scenes ISBN: 9789811559129
Active in the Hong Kong scene since the mid-1980s, composer, performer and music activist Kung Chi Shing provides an historical and geographical counterpoint to the contemporary underground scenes in Hong Kong, emphasizing the crossing of visual arts
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ea93a5dd2cb622bc96753d1f399d5079
https://doi.org/10.1007/978-981-15-5913-6_4
https://doi.org/10.1007/978-981-15-5913-6_4
Autor:
François Mouillot, Damien Charrieras
Publikováno v:
Fractured Scenes ISBN: 9789811559129
Xper.Xr., often described as the first noise artist in Hong Kong, gives his personal take on the history of underground movements - including industrial, noise and experimental music, as well as radical education and healing - across Hong Kong and Eu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de90986dd15869762705e2fb4df8aed8
https://doi.org/10.1007/978-981-15-5913-6_3
https://doi.org/10.1007/978-981-15-5913-6_3
Autor:
François Mouillot, Damien Charrieras
Publikováno v:
Fractured Scenes ISBN: 9789811559129
Multi-disciplinary artist Samson Young explains his role in the development of a space for new forms of contemporary music in Hong Kong. He also reflects on his move towards contemporary arts as a field of practice.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::04cf36bfdd4887a9d46a39debc3d7e58
https://doi.org/10.1007/978-981-15-5913-6_8
https://doi.org/10.1007/978-981-15-5913-6_8
Autor:
François Mouillot
Publikováno v:
Geographically Isolated and Peripheral Music Scenes ISBN: 9789811645808
This chapter examines Montreal’s contemporary independent and experimental music scenes in relation to the perceived sense of cultural and industrial isolation felt by local independent music makers between the 1980s and the early 2000s. This chapt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f935037605078c0da5f15a3e86dee962
https://doi.org/10.1007/978-981-16-4581-5_8
https://doi.org/10.1007/978-981-16-4581-5_8
Autor:
François Mouillot, Damien Charrieras
Publikováno v:
Fractured Scenes ISBN: 9789811559129
Presenting an overview of past academic research on the notion of "underground" and connecting it with current marginal music practices in Hong Kong, the authors provide the beginning of a new definition for what "musical undergrounds" might be in Ho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7477012a32aff0bbf714a4095f3a5392
https://doi.org/10.1007/978-981-15-5913-6_1
https://doi.org/10.1007/978-981-15-5913-6_1
Autor:
François Mouillot
Publikováno v:
Electronic Cities ISBN: 9789813347403
This chapter examines the MUTEK festival and Arbutus Records as two key infrastructures supporting the experimental electronic music scene in Montreal. Both institutions, in their own specific ways, showcase and support local electronic music talent
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65e79fe094b11224c013378df2dd8892
https://doi.org/10.1007/978-981-33-4741-0_7
https://doi.org/10.1007/978-981-33-4741-0_7
Autor:
Tomie Hahn, Louise Campbell, Lindsay Vogt, Simon Rose, George Blake, Catherine Lee, Sherrie Tucker, François Mouillot, Jovana Milović, Pete Williams
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::26071e3860774e3fed11efcab6e6644e
https://doi.org/10.1515/9780822374497-010
https://doi.org/10.1515/9780822374497-010
Autor:
Damien Charrieras, François Mouillot
Fractured Scenes is the first extensive academic account of music and sound art practices that fall outside of the scope of ‘mainstream music'in Hong Kong. It combines academic essays with original interviews conducted with prominent Hong Kong unde
Autor:
Damien Charrieras, François Mouillot
Publikováno v:
Organised Sound. 20:191-199
The process of creating computer-based music is increasingly being conceived in terms of complex chains of mediations involving composer/performer and computer software interactions that prompt us to reconsider notions of materiality within the conte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::93a27ba91be67f4186ac8c3fac67eec3
https://doi.org/10.1017/s1355771815000072
https://doi.org/10.1017/s1355771815000072