Zobrazeno 1 - 10
of 63
pro vyhledávání: '"François Baillon"'
Autor:
Jean-François Baillon
Publikováno v:
Études Britanniques Contemporaines, Vol 58 (2020)
Despite its apparent claims to modernity in style and subject, James Ivory’s Howards End can be viewed in terms of a deconstructionist approach that pays attention to the presence of themes and figures of spectrality. First seen as an opposition be
Externí odkaz:
https://doaj.org/article/2ceaa2fdbe5048d9b535f851dfcdc055
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 11 (2018)
Atom Egoyan’s Artaud Double Bill (2007) foregrounds the parallel gazes of two female spectators in film theatres where Vivre sa vie (Godard, 1962) and The Adjuster (Egoyan, 1991) are shown. Through the mediation of text messages they send each othe
Externí odkaz:
https://doaj.org/article/5acd093d636e4f89a4132ce61fd3f6e6
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 10 (2018)
When Christopher Lee became a star of British – and even world – horror cinema, he largely relied on canonical parts previously played by his predecessor Boris Karloff, himself a British émigré in Hollywood. The persistence in the use of Britis
Externí odkaz:
https://doaj.org/article/5e03e0145f86473ebbd8a836f8d229cb
Autor:
Jean-François Baillon
Publikováno v:
Historical Journal of Film, Radio and Television. 42:75-86
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::845d7c449acbaa48018b66db9f1eae58
https://doi.org/10.1080/01439685.2022.2018558
https://doi.org/10.1080/01439685.2022.2018558
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 9 (2017)
Externí odkaz:
https://doaj.org/article/540ee3972948400eba33a054c9a47a27
Autor:
Jean-François Baillon, Nicolas Labarre
Publikováno v:
Angles, Vol 1 (2015)
This article on comics purports to examine genre dynamics in Shaun of the Dead (Wright 2005). In particular, it seeks to detail the interactions between the romantic-comedy elements present in the film and its ostensible alignment with the zombie gen
Externí odkaz:
https://doaj.org/article/bd6bc91b3ba34240b99ee3b679bb8806
Autor:
Jean-François Baillon
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 8 (2013)
Gothic cinema has always relied on the contrast of light and darkness. The shadows that people it have never ceased to appear in various guises — as shadows cast by bodies, as ghosts, spirits or doppelgängers. British cinema in the 1940s appeals t
Externí odkaz:
https://doaj.org/article/b42cb79bc6714daea37c9c21b3c81397
Autor:
Jean-François Baillon
Publikováno v:
Cahiers du MIMMOC, Vol 20 (2019)
Mémoire(s), identité(s), marginalité(s) dans le monde occidental contemporain. Cahiers du MIMMOC
Mémoire(s), identité(s), marginalité(s) dans le monde occidental contemporain. Cahiers du MIMMOC, Université de Poitiers ; MIMMOC, 2019, Le 'Festival of Britain 1951' : une certaine idée du Royaume-Uni, ⟨10.4000/mimmoc.3649⟩
Mémoire(s), identité(s), marginalité(s) dans le monde occidental contemporain. Cahiers du MIMMOC
Mémoire(s), identité(s), marginalité(s) dans le monde occidental contemporain. Cahiers du MIMMOC, Université de Poitiers ; MIMMOC, 2019, Le 'Festival of Britain 1951' : une certaine idée du Royaume-Uni, ⟨10.4000/mimmoc.3649⟩
International audience; La programmation culturelle du Festival of Britain aurait dû comporter un riche volet cinématographique mais des contraintes budgétaires imposèrent des réductions drastiques. Un film important, Family Portrait (1951), qui
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0f0215e7043314b70804742247dabcdb
http://journals.openedition.org/mimmoc/3649
http://journals.openedition.org/mimmoc/3649
