Zobrazeno 1 - 10
of 191
pro vyhledávání: '"François Baillon"'
Pour les Lumières. Défense, illustration, méthode. (Coll. E-18) Robert Darnton Jean-François Baillon
Publikováno v:
Revue historique de droit français et étranger (1922-), 2003 Jul 01. 81(3), 390-391.
Externí odkaz:
https://www.jstor.org/stable/43851452
Autor:
Lagrée, Jacqueline
Publikováno v:
Archives de Philosophie, 1998 Jul 01. 61(3), 527-527.
Externí odkaz:
https://www.jstor.org/stable/43037696
Autor:
Goyard-Fabre, Simone
Publikováno v:
Revue de Métaphysique et de Morale, 1997 Jan 01(1), 150-152.
Externí odkaz:
https://www.jstor.org/stable/40865925
Autor:
Spitz, J.-F.
Publikováno v:
Les Études philosophiques, 1992 Jan 01(1), 117-118.
Externí odkaz:
https://www.jstor.org/stable/20848599
Autor:
Jean-François Baillon
Publikováno v:
Études Britanniques Contemporaines, Vol 58 (2020)
Despite its apparent claims to modernity in style and subject, James Ivory’s Howards End can be viewed in terms of a deconstructionist approach that pays attention to the presence of themes and figures of spectrality. First seen as an opposition be
Externí odkaz:
https://doaj.org/article/2ceaa2fdbe5048d9b535f851dfcdc055
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 11 (2018)
Atom Egoyan’s Artaud Double Bill (2007) foregrounds the parallel gazes of two female spectators in film theatres where Vivre sa vie (Godard, 1962) and The Adjuster (Egoyan, 1991) are shown. Through the mediation of text messages they send each othe
Externí odkaz:
https://doaj.org/article/5acd093d636e4f89a4132ce61fd3f6e6
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 10 (2018)
When Christopher Lee became a star of British – and even world – horror cinema, he largely relied on canonical parts previously played by his predecessor Boris Karloff, himself a British émigré in Hollywood. The persistence in the use of Britis
Externí odkaz:
https://doaj.org/article/5e03e0145f86473ebbd8a836f8d229cb
Autor:
Jean-François Baillon
Publikováno v:
Historical Journal of Film, Radio and Television. 42:75-86
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::845d7c449acbaa48018b66db9f1eae58
https://doi.org/10.1080/01439685.2022.2018558
https://doi.org/10.1080/01439685.2022.2018558
Autor:
Jean-François Baillon
Publikováno v:
Mise au Point, Vol 9 (2017)
Externí odkaz:
https://doaj.org/article/540ee3972948400eba33a054c9a47a27
Autor:
Jean-François Baillon, Nicolas Labarre
Publikováno v:
Angles, Vol 1 (2015)
This article on comics purports to examine genre dynamics in Shaun of the Dead (Wright 2005). In particular, it seeks to detail the interactions between the romantic-comedy elements present in the film and its ostensible alignment with the zombie gen
Externí odkaz:
https://doaj.org/article/bd6bc91b3ba34240b99ee3b679bb8806