Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Formation d'acteur"'
Autor:
Gallep, Cristiano de Mello
Using testimonies from students after one semester practicing the art of capoeira, we underscore the potentiality of Capoeira Angola for actor training, as well as for promoting the self-knowledge of human beings and their social action. It is the pl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::4c4d5d222a7c6ddeb8e509ddfd48c0be
https://journals.openedition.org/rbep/1510
https://journals.openedition.org/rbep/1510
Autor:
Gallep, Cristiano de Mello
Publikováno v:
Brazilian Journal on Presence Studies; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26
Révue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-26
Revista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-26
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26
Révue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-26
Revista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-26
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
A partir de depoimentos de alunos, coletados após breve contato de um semestre com esta arte, procura-se reforçar a potencialidade da Capoeira Angola para o treinamento do artista da cena, e também para promover o autoconhecimento do ser humano e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::be65308afeee25a9f63383dc0f3e5c94
https://seer.ufrgs.br/index.php/presenca/article/view/113063
https://seer.ufrgs.br/index.php/presenca/article/view/113063
Autor:
Arlynda Boyer
Theatre makes its backstage texts – including the playwright’s script – disappear, subsumed into a seemingly real history or tragedy or comedy, or at least into an evening of shared imaginative play between actor and audience. And yet not so, f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::98d07c3481e03cd065522234179d7667
http://journals.openedition.org/shakespeare/5993
http://journals.openedition.org/shakespeare/5993
Autor:
Leichman, Jeffrey
Cet article compare deux films de Jacques Rivette où joue Bulle Ogier et qui ont pour objet la quête d’une vérité émotionnelle, L’Amour fou (1968) et La Bande des quatre (1988). La durée et la cohérence thématique de la collaboration entr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e61ed673ca06449588b40bbf05d64f9
Autor:
Tatiana Cardoso da Silva
Publikováno v:
Revista Brasileira de Estudos da Presença, Volume: 9, Issue: 3, Article number: e88172, Published: 30 MAY 2019
Brazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-30
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-30
Révue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-30
Revista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-30
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 9, Iss 3, Pp 01-30 (2019)
Brazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-30
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-30
Révue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-30
Revista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-30
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 9, Iss 3, Pp 01-30 (2019)
Resumo: O artigo apresenta parte do trabalho desenvolvido pelo grupo internacional de teatro Vindenes Bro - em português, Ponte dos Ventos -, coordenado por Iben Nagel Rasmussen, atriz do grupo teatral Odin Teatret, da Dinamarca. Através de uma nar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0ff79fe20509ae6d40aa92e60ddda8f6
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-26602019000300204&lng=en&tlng=en
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-26602019000300204&lng=en&tlng=en
Autor:
Cathy Leeney
Publikováno v:
Périodiques Scientifiques en Édition Électronique.
Through an outline exploration of key issues in his training for actors, this paper suggests that the influence of Jacques Lecoq on Irish theatre is at an early stage of development, and that, through individuals and companies linked with Lecoq, its
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6bc56e150dfdbb0d2ce89fcc1c930c11
https://www.persee.fr/doc/irlan_0183-973x_2008_num_33_2_1838
https://www.persee.fr/doc/irlan_0183-973x_2008_num_33_2_1838