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of 60
pro vyhledávání: '"Flemish Theatre"'
Autor:
Peter M. Boenisch
Publikováno v:
Aarhus University
Boenisch, P M 2022, ' Theatre Curation and Institutional Dramaturgy: Post-Representational Transformations in Flemish Theatre ', Peripeti-tidsskrift for dramaturgiske studier, vol. 19, no. 35, pp. 71-82 . < https://tidsskrift.dk/peripeti/issue/view/9553 >
Boenisch, P M 2022, ' Theatre Curation and Institutional Dramaturgy: Post-Representational Transformations in Flemish Theatre ', Peripeti-tidsskrift for dramaturgiske studier, vol. 19, no. 35, pp. 71-82 . < https://tidsskrift.dk/peripeti/issue/view/9553 >
With this essay, I discuss recent developments in the institutional fabric of the European state and city theatre system. I propose the perspective of ‘institutional dramaturgy’ as an analytic concept to interrogate these interventions at the sys
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Autor:
Karel Vanhaesbrouck
Publikováno v:
Itinéraires, Vol 2018, Iss 1 (2018)
In 1968, a trio of artists composed of writer Hugo Claus, actor Alex Van Royen and critique Carlos Tindemans, launched their manifesto entitled T68, which Claus will have published and distributed in two hundred copies shortly after. In this manifest
Externí odkaz:
https://doaj.org/article/465373c86f954051872e2010b515dbf7
Autor:
Yves T’Sjoen
Publikováno v:
Tydskrif vir Letterkunde, Vol 46, Iss 1 (2017)
The première of Claus’ play Het leven en de werken van Leopold II (The Life and Works of Leopold II), in November 1970 (by the company Nederlandse Comedie), was directed by the author himself. After a second and again rather unsuccessful run (1972
Externí odkaz:
https://doaj.org/article/9a9a664aeabb421988b12fdb5ba57b65
Autor:
Bauzá, Hugo Francisco
Publikováno v:
Caietele Echinox / Echinox Journal. (12):71-76
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=93121
Autor:
Ronald Geerts
Publikováno v:
Vrije Universiteit Brussel
Documenta : mededelingen van het Documentatiecentrum voor Dramatische Kunst Gent
Documenta : mededelingen van het Documentatiecentrum voor Dramatische Kunst Gent
Over schrijven voor theater in de jaren tachtig. Het experiment van het Nieuw Vlaams Toneel. De evolutie van de status van de tekst in de voorstelling en de gevolgen daarvan voor het schrijven. De opkomst van een nieuwe generatie schrijvers voor het
Autor:
Boenisch, Peter M.
Publikováno v:
Boenisch, P M 2021, ' Intellectual responsibility and eco-aesthetic existentialism : Experimental kinetic dramaturgies from Flanders ', Performance Research, vol. 26, no. 3, pp. 127-128 . https://doi.org/10.1080/13528165.2021.1983297
Book review of Machine Made Silence: The Art of Kris Verdonck. Edited by Peter Eckersall and Kristof van Baarle. Aberystwyth: Performance Research Books, 2020; pp. 192 + illus.; $ 33.50 Pb.&The Choreopolitics of Alain Platel’s les ballets C de la B
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=pure_au_____::b4a614369a45f9e4402b0b1e6952f69a
https://pure.au.dk/portal/da/publications/intellectual-responsibility-and-ecoaesthetic-existentialism(0885e2b9-f46c-4279-92fe-98698ce5f9e0).html
https://pure.au.dk/portal/da/publications/intellectual-responsibility-and-ecoaesthetic-existentialism(0885e2b9-f46c-4279-92fe-98698ce5f9e0).html
Autor:
Scheelings, Frank
Short history of the relationship between the Flemish Theatre and the Flemish students of the Brussels university from the 19th century onwards
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3848::22ed5faeb308d98b4af6f19f9e217198
https://biblio.vub.ac.be/vubir/historical-connections(3d14e7f8-651d-468e-8142-4f47e36463b4).html
https://biblio.vub.ac.be/vubir/historical-connections(3d14e7f8-651d-468e-8142-4f47e36463b4).html
Autor:
Pieter Verstraete
Publikováno v:
Documenta, 39(1):6, 140-175
This article tells the story of the friendship between the late Belgian theatre director and author, Eric De Volder, and Turkey, more specifically, the fishing village Karaburun, the most nordic point on the peninsula in the İzmir province, and one
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ff08bb012364960418ab9f417683f943
https://doi.org/10.21825/documenta.85486
https://doi.org/10.21825/documenta.85486
Autor:
Karel Vanhaesebrouck
Publikováno v:
Contemporary Theatre Review, 20(4), 465-474. Routledge/Taylor & Francis Group
At a moment in time when Belgium, both as a signifier of a national identity and as a political construction, is more and more in crisis, a generation of young Dutch-speaking theatre artists, including Ruud Gielens, Raven Ruell and Chokri Ben Chikha,