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pro vyhledávání: '"Flavia Palma"'
Autor:
Thomas Pavel, Flavia Palma
Publikováno v:
Historias Fingidas (2023)
Si propone l’intervista a Thomas Pavel del 2017 coordinata dal gruppo dottorale FORLab (Laboratorio sulle Forme e Origini del Romanzo) tuttora inedita.
Externí odkaz:
https://doaj.org/article/8ca8a81e98954807864ae5d74a7cff84
Autor:
Flavia Palma
Publikováno v:
Historias Fingidas (2023)
Focalizzandosi sulle strategie narrative adottate da Boccaccio, questo articolo mira a dimostrare come l’autore abbia voluto sviluppare nell’Elegia di madonna Fiammetta una riflessione sullo statuto della narrazione e sul ruolo del narratore. Si
Externí odkaz:
https://doaj.org/article/8f2c09b79f4e4fb5b76e56a6133cc1d9
Autor:
Flavia Palma
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 223-237 (2021)
The paper examines the use of quotes in the collection of tales "La piacevol notte e ’l lieto giorno" (1574) by Niccolò Granucci. The author spans from direct references, often from poetic texts, to rewritings of well-known authors (Ariosto, Bocca
Externí odkaz:
https://doaj.org/article/64f100eff9c34811bc2d49c1791d3583
Autor:
Flavia Palma
Publikováno v:
Journal of British Studies. 60:978-980
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::60a15a54bffb1d1602307fed26901797
https://doi.org/10.1017/jbr.2021.84
https://doi.org/10.1017/jbr.2021.84
Autor:
Flavia Palma
Giovanni Boccaccio is quoted several times in Castiglione’s Cortegiano, but all these mentions are inserted in two specific contexts: on the one hand, the debate on literary language, developed in the letter of dedication to don Michel De Silva and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e71f5161d9309a43855298f465c6228d
http://hdl.handle.net/10278/3742357
http://hdl.handle.net/10278/3742357
Autor:
Flavia Palma
Publikováno v:
Tropos; Vol 3, No 1 (2015): Bonds & Boundaries: Selected Contributions
The Medieval and Renaissance European literary traditions are testimony to a habit of considering language as the primary medium for love, but there were also interesting exceptions connected to the opposite power of silence. Matteo Bandello’s nove
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fea0d73454d7e0844357c35a925820e6
http://hdl.handle.net/10278/3742373
http://hdl.handle.net/10278/3742373