PERSPECTIVE ORGANIZATION OF THE CITY OF KAKETIKON IN THE SITUATION REMARKS OF A. M. PYATIGORSKY’S MOVIE SCENARIO 'A MAN NOT LIKE OTHERS (NEW OEDIPUS)'

Autor: Ivan S. Parkhutov

Publikováno v: Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki, Vol 27, Iss 2, Pp 113-119 (2024)

The article discusses the process of constructing a frame, in which its perspective organization turns out to be a sense-forming technique. As a scientific theoretical basis, the works of D. S. Likhachev "Poetics of Old Russian Literature", B. A. Usp

Externí odkaz: https://doaj.org/article/868ecbc70a024a7587c70bbc3b17f430

Телевизионные новости в 1989–2021 гг.: хронометраж, кадр, план, движение ка-меры (на материале чешского информационного вещания)

Publikováno v: Izvestia Ural Federal University Journal. Series 1. Issues in Education, Science and Culture; Том 29, № 2 (2023); 108-119
Известия Уральского федерального университета. Серия 1. Проблемы образования, науки и культуры; Том 29, № 2 (2023); 108-119

One of the reasons for the transformation of media systems is the increase in information made possible by the development of new technologies and the Internet. In this context, the habits of media consumption change, the journalistic content changes

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=urfujournals::84556372864f3ddb8381eab52f4eb26a
https://journals.urfu.ru/index.php/Izvestia1/article/view/6871

The Cinemapoetics of the modern Ukrainian novel: Myroslav Dochynets’ creative works

Autor: Larysa Horbolis, Olena Ishchenko, Anatoliy Novykov, Dmytro Marieiev, Nataliya Hrychanyk

Publikováno v: Revista Amazonia Investiga. 10:209-217

The article presents a review of the Ukrainian literary critics’ works on the relationship between literature and cinema, the relevance and effectiveness of the practice of involving cinematic resources in the literary works of Ukrainian writers of

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6016749d209d6c4dfff8f747bf2b2842
https://doi.org/10.34069/ai/2021.48.12.22

Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame

Autor: Gabriele Jutz

Publikováno v: Cinematic Intermediality

This chapter discusses filmic and photographic works that focus on isolated film frames, whether extracted from the continuum of a film strip, as in Slide Movie (Gebhard Sengmüller, 2007) and Und ich blieb stehen. (Thames, London) (Susanne Miggitsch

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::aa4eefda10159b325a812bab22082171
https://doi.org/10.3366/edinburgh/9781474446341.003.0010

Kinetic Iconography: Wes Anderson, Sergei Parajanov, and the Illusion of Motion

Autor: Peter Sloane

Publikováno v: Texas Studies in Literature and Language. 60:246-268

Wes Anderson and Georgian filmmaker Sergei Parajanov have a shared fascination with the intersection of literature and film and with the materiality of the printed page in relation to the film frame. In exploring this concern in The Royal Tenenbaums

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::31703119f70c3f4babc799c1c7f36196
https://doi.org/10.7560/tsll60208