Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Film Editor"'
Autor:
Grigor, Axel
Film editing is recognised as the conceptual innovation that, at the dawn of the twentieth century, helped transform the novelty of moving images into cinema. Despite this acknowledgment, misconceptions about the art form linger. Surprisingly, there
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od________76::6292afcb85b55eb0419268d7c5165328
http://urn.kb.se/resolve?urn=urn:nbn:se:du-44741
http://urn.kb.se/resolve?urn=urn:nbn:se:du-44741
Autor:
Rubina Ramji
Publikováno v:
Journal of Religion & Film. 25
[...]he's a reflection of what can happen to those who have been isolated from society for too long - something we must be watchful for in our pandemic. Author Notes Rubina (Ruby) Ramji is an Associate Professor in the Department of Philosophy and Re
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::681dfdde7507f348826a91d1f3f8bb87
https://doi.org/10.32873/uno.dc.jrf.25.01.028
https://doi.org/10.32873/uno.dc.jrf.25.01.028
Autor:
Grigor, Axel, Ingemarsdotter, Sylvia
Prof. Sylvia Ingemarsdotter and Senior Lecturer Axel Grigor—editing teachers at DAVA, Sweden—discuss the advantages and limitations of enhancing film students’ appreciation of film editing craft by facilitating courses offering practical, real-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od________76::dbd745820fa28b9a8433a1fe4f27f483
http://urn.kb.se/resolve?urn=urn:nbn:se:du-44772
http://urn.kb.se/resolve?urn=urn:nbn:se:du-44772
Autor:
Ben-Yakov, Aya, Henson, Richard N
Publikováno v:
J Neurosci
The function of the human hippocampus is normally investigated by experimental manipulation of discrete events. Less is known about what triggers hippocampal activity during more naturalistic, continuous experience. We hypothesized that the hippocamp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::02061e0c68defa6d1a40826973d0b75a
https://doi.org/10.1523/jneurosci.0524-18.2018
https://doi.org/10.1523/jneurosci.0524-18.2018
Autor:
Per Erik Eriksson, Thorbjörn Swenberg
Publikováno v:
Empirical Studies of the Arts. 36:222-246
The film editor’s task in refining film edits by frame-by-frame matching is an important undertaking in perceptual precision. This article investigates whether the failure of a few frames jeopardizes the perceived continuity of a film. Thirty-three
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8aec758c0da0743b82dfa390650b2df5
https://doi.org/10.1177/0276237417744590
https://doi.org/10.1177/0276237417744590
Autor:
Bruce Sklarew
Publikováno v:
International Journal of Applied Psychoanalytic Studies. 17:380-380
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::529dd8e2f119f400f98106353bb1a339
https://doi.org/10.1002/aps.1659
https://doi.org/10.1002/aps.1659
Autor:
Martin Stollery
Publikováno v:
Journal of British Cinema and Television. 12:277-299
Dai Vaughan's Portrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor has long been the type of book critics and historians ritually acknowledge as an important contribution without engaging in any sustained analysis of prec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eb7619ef79110c09e45dff999106f00f
https://doi.org/10.3366/jbctv.2015.0266
https://doi.org/10.3366/jbctv.2015.0266
Autor:
Aya Ben-Yakov, Richard N. Henson
Publikováno v:
Journal of Neuroscience
bioRxiv
bioRxiv
The function of the human hippocampus is normally investigated by experimental manipulation of discrete events. Less is unknown about what triggers hippocampal activity during more naturalistic, continuous experience. We hypothesized that the hippoca
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1e40ab63b8e12d0ef043898fe60fa6d3
Autor:
Évelyne Chauvet, Ziva Postec
Publikováno v:
Revue française de psychanalyse. 84:941
How does one make a cinema film out of 300 hours of interviews? How does one make nothingness speak? How does one render the unimaginable imaginable? How does one make the past present? How does one facilitate the identification of the spectators wit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::21b6d67e5434260dfbc80b4ca61c2bbc
https://doi.org/10.3917/rfp.844.0941
https://doi.org/10.3917/rfp.844.0941