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Autor:
Filippo Bruschi
Publikováno v:
Symbolon, Vol 16, Iss 2(29), Pp 5-12 (2020)
Two Kind of Confessions in Bernard-Marie Koltès Last Plays We can find two kinds of confession in Bernard-Marie Koltès’s last plays (1977-1988). We have defined the first one as the confession-labyrinth because the characters use it to hide their
Externí odkaz:
https://doaj.org/article/de5cc33bc0134d8785581f14efcaa9d3
Autor:
Filippo Bruschi
Publikováno v:
Itinera, Iss 13 (2017)
11th December 1891, at Théâtre d’art, the Cantique des cantiques (“Song of songs”), based on a idea of Paul-Napoléon Roinard went on stage. Roinard used biblical text to create a form of a total theatre, through the stimulation of three of f
Externí odkaz:
https://doaj.org/article/29b66fa1d1b545ac97e6cff70bae0717
Autor:
Filippo Bruschi
Publikováno v:
Romanica Wratislaviensia. 67:65-75
The Jaquerie is one of the lesser-known dramatic works of Prosper Mérimée. However, it is a very important work to understand the aesthetic and political stakes of romantic theatre on the eve of the July Revolution. The Jaquerie also helps us to un
Autor:
Filippo Bruschi, Jonathan Chtel
Publikováno v:
Études théâtrales. :142-145
Publikováno v:
Études théâtrales. :19-30