Zobrazeno 1 - 10
of 59
pro vyhledávání: '"Ferdinand De Jong"'
Autor:
Ferdinand de Jong, Michael Rowlands
Struggles over the meaning of the past are common in postcolonial states. State cultural heritage programs build monuments to reinforce in nation building efforts—often supported by international organizations and tourist dollars. These efforts oft
Autor:
Ferdinand de Jong
Publikováno v:
The Future of Religious Heritage ISBN: 9781003182719
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::077aced298ff00a0581f826b3db35b50
https://doi.org/10.4324/9781003182719-1
https://doi.org/10.4324/9781003182719-1
Autor:
Ferdinand de Jong
Publikováno v:
The Future of Religious Heritage ISBN: 9781003182719
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3586c98a0948a4c9511986692706b35
https://doi.org/10.4324/9781003182719-8
https://doi.org/10.4324/9781003182719-8
Autor:
Ferdinand de Jong
Publikováno v:
Journal of the Royal Anthropological Institute. 29:480-481
Autor:
Ferdinand de Jong
Publikováno v:
International Journal of Heritage Studies. 29:240-241
Autor:
Ferdinand De Jong
Senegal features prominently on the UNESCO World Heritage List. As many of its cultural heritage sites are remnants of the French empire, how does an independent nation care for the heritage of colonialism? How does it re-interpret slave barracks, co
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1645c9dec939c48f1fc1535a7e80e5ac
https://doi.org/10.1017/9781009086189
https://doi.org/10.1017/9781009086189
Autor:
Ferdinand de Jong
Publikováno v:
Journal of the Royal Anthropological Institute. 28:1070-1071
Autor:
Ferdinand de Jong, José Mapril
The Future of Religious Heritage examines the resurgence of religious heritage in a secular age and frames such heritage as both legacy from the past and promise for the future.Drawing on case studies from across Europe, this volume addresses the int
Autor:
Ferdinand de Jong
Publikováno v:
African Arts. 51:10-23
Situating itself in histories of cinema and installation art, William Kentridge's Black Box/Chambre Noire (2005) raises questions about screens, exhibition space, site-specificity and spectatorship. Through his timely intervention in a debate on Germ