Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Felicity Bodenstein"'
Autor:
Felicity Bodenstein
Publikováno v:
Conserveries Mémorielles, Vol 9 (2011)
This article examines the discourse elaborated in Paris’ historical museums during the nineteenth century through the display of personal, private objects “having belonged to” famous historical figures, artistes and writers. How and why do we e
Externí odkaz:
https://doaj.org/article/24c2bb38028846f78e8ee8b73788da4f
Autor:
Arnaud Bertinet, Felicity Bodenstein, Claire Bonnotte Khelil, Zachary Kingdon, Neville Rowley
Publikováno v:
Perspective. :31-46
Autor:
Felicity Bodenstein
Publikováno v:
Critique d’art. :159-169
Over the summer of 2020, as statues were tagged and fell across North America and Europe, the question of how to deal with colonial legacy saturated media coverage, it became clear that we are as yet analytically ill-equipped to deal with the issues
Autor:
Felicity Bodenstein
Publikováno v:
Critique d’art. :158-170
Au cours de l’ete 2020, alors que des statues etaient taguees et deboulonnees partout en Amerique du Nord et en Europe, la question de savoir comment traiter l’heritage colonial a sature le paysage mediatique. Il est devenu manifeste que nous som
Going beyond strictly legal and property-oriented aspects of the restitution debate, restitution is considered as part of a larger set of processes of return that affect museums and collections, as well as notions of heritage and object status. Cover
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c5fd2ecf4c82e622bb6041010554b062
https://doi.org/10.3167/9781800734234
https://doi.org/10.3167/9781800734234
Cinq masques de l’Iyoba Idia du royaume de Bénin : vies sociales et trajectoires d’un objet multiple
Autor:
Felicity Bodenstein
Publikováno v:
Perspective. :227-238
Les cinq masques en ivoire de la reine-mere Idia (xvie siecle) qui sont aujourd’hui a Londres, New York, Seattle, Stuttgart et dans une collection privee anglaise sont sans doute les objets les plus iconiques de l’art du continent africain tel qu
Going beyond strictly legal and property-oriented aspects of the restitution debate, restitution is considered as part of a larger set of processes of return that affect museums and collections, as well as notions of heritage and object status. Cover