Zobrazeno 1 - 10
of 102
pro vyhledávání: '"Federico Vercellone"'
Publikováno v:
Itinera, Iss 25 (2023)
This issue of Itinera aims to address the connections between architecture and the performing arts in its various aspects and from multiple points of view. The growing emphasis on the performative character of artistic practices, namely, their abilit
Externí odkaz:
https://doaj.org/article/19e6b6cc1ebb49759576794653a25e2e
Autor:
Manuela Roccia, Federico Vercellone
Publikováno v:
Itinera, Iss 24 (2023)
Divina Commedia represents Dante’s most famous work: even if many centuries have passed, it still represents universal knowledge. Today comics are still perceived as consumer literature, however over time there have been many comics works that have
Externí odkaz:
https://doaj.org/article/c024a1de01714138b8b9e504a6c44d61
Autor:
Federico Vercellone
Publikováno v:
Rivista di Estetica, Vol 74, Pp 191-200 (2020)
The relationship between nature and its symbolic and artistic expression is at the centre of Goethe’s reflections during and after his travels in Italy and of Schelling’s thoughts until the period of his philosophy of identity. Here, as is known,
Externí odkaz:
https://doaj.org/article/1cb7d507db1f44d2bee634f7e6188499
Autor:
Federico Vercellone
Publikováno v:
CoSMO, Iss 18 (2021)
The aim of this essay is to outline some fundamental features in the history of the concept of Morphology, from Goethe to visual studies. In its connection to the idea of dynamic systems, this concept has now grown as the focus of an extremely wide f
Externí odkaz:
https://doaj.org/article/2a5a95dee4594fb08692855d6696c27e
Autor:
Federico Vercellone
Publikováno v:
CoSMO, Iss 17 (2020)
As everyone knows by now, a landscape is a cultural construct that has undergone changeable and sundry forms of aesthetization. In the last decade, capitalistic forms of production have deeply changed their features. I will try to argue that in our t
Externí odkaz:
https://doaj.org/article/1f943a266ae64082975305b76ec184b7
Autor:
Federico VERCELLONE
Publikováno v:
Azafea: Revista de Filosofía, Vol 19, Iss 1, Pp 19-27 (2017)
Raising questions about the topical interest of the morphological perspective today, more than two hundred years after Goethe first introduced it, has a precise and wide ranging significance. It means asking ourselves if and how the relationship betw
Externí odkaz:
https://doaj.org/article/a80a454376654d9dbeb5f74e672aec9f
Autor:
Federico Vercellone
Publikováno v:
Bajo Palabra, Vol 0, Iss 12 (2016)
Trad. de Valerio RoccoNos encontramos ante una revolución de la experiencia estética que puede denominarse “explosión de la imagen”. La imagen genera su propio médium y éste vuelve perceptible la imagen, la vuelve perceptible en cuanto image
Externí odkaz:
https://doaj.org/article/8a62b53eabb44fc7a1cceb436d0e6a46
Autor:
Federico Vercellone
Publikováno v:
CoSMO, Iss 6 (2015)
Aesthetics as the philosophy of art thus bears the idea alluded to by Hegel and developed by Croce, of a “death of art” in the modern universe. It is a symbolic death due to the development of a reasoning that separates the different spheres of o
Externí odkaz:
https://doaj.org/article/57bbe1cee57d49ee8f36efddb24821b9
Autor:
Laura Follesa, Federico Vercellone
Welches Verhältnis besteht zwischen „Bild'und menschlichem Denken? Welche Rolle spielt das Konzept der „Form'im menschlichen Wissen? Forscher aus Philosophie, Kulturwissenschaften, Wissenschaftsgeschichte, Ästhetik, Literatur, Anthropologie, Ma
Autor:
Federico Vercellone
The American abstract expressionist painter Barnett Newman famously declared in 1948 that the impulse of modern art is to destroy beauty. Not long after that, Andy Warhol was reconciling the world of art with the world of everyday life, painting soup