Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Federica Stevanin"'
Autor:
Federica Stevanin
Publikováno v:
piano b, Vol 7, Iss 1, Pp 45-60 (2022)
Among the artists who worked with the body between the end of 1960s and the beginning of the 1970s the case of the American artist Dennis Oppenheim (1938-2011) is particularly significant not only for the physical relationship established by him, in
Externí odkaz:
https://doaj.org/article/cfe0a7efc35149038eb96c6a16201745
Autor:
Federica Stevanin
Publikováno v:
Cinergie, Vol 8, Iss 16, Pp 51-60 (2019)
By employing an autobiographical form of narration in which self-representation is a way to explore his own roots and the diasporic identity of Latin Americans, the work of the Brazilian artist Paulo Nazareth (1977) addresses the issue of immigration
Externí odkaz:
https://doaj.org/article/823566fb2e744408a93266ff1dbc72d4
Autor:
Federica Stevanin
Publikováno v:
piano b, Vol 3, Iss 2, Pp 100-118 (2019)
As remarked by the artistic literature, our knowledge of Land Art mostly depends on what photographs, films and videos recount of it. If media have the merit of having contributed to the diffusion, among the public, of the knowledge of this ephemeral
Externí odkaz:
https://doaj.org/article/1c189faa49104002847235658d91f0f9
Autor:
Federica Stevanin
Publikováno v:
ZoneModa Journal, Vol 9, Iss 1, Pp 181-192 (2019)
Besides the “return to painting”, in the 1980s art we witness the return of practices considered before then mainly as crafts or marginal like embroidery and weaving. In a period characterized by great freedom and by the possibility to mix high a
Externí odkaz:
https://doaj.org/article/481577247bf9442e8720ec3947c650fe
Autor:
Federica Stevanin
Publikováno v:
piano b, Vol 1, Iss 1, Pp 232-254 (2016)
“Subversion of images” is the title given by the Belgian surrealist poet Paul Nougé to a series of photographs shot between the end of 1929 and the beginning of 1930, but published only in 1968. Accompanied by short poems, the photographs presen
Externí odkaz:
https://doaj.org/article/73e97511471a4c3d92a805e5d6a8d60b
Autor:
Federica Stevanin
Publikováno v:
Intrecci d'arte, Vol 6, Iss 2 (2017)
The essay retraces the most important stages of the doctoral research led by the author that focused on the relationship between the Land Art and the media, now published as a monograph. The article, based on the speech pronounced during the conferen
Externí odkaz:
https://doaj.org/article/6a5afe8670174d9b8f88d67f6da3b3b5
Autor:
Federica Stevanin
Publikováno v:
Intrecci d'arte, Vol 3, Iss 3 (2014)
Externí odkaz:
https://doaj.org/article/d1cf3d064339464b854d0cccc67a18ef
Autor:
Federica Stevanin
Publikováno v:
Intrecci d'arte, Vol 1, Iss 1 (2012)
L’articolo è stato ispirato dall’ultimo lavoro di Lorna Simpson, artista che vive e lavora a Brooklyn. Nei suoi lavori fotografici Simpson affronta il tema dell’identità afroamericana, esplorando e mettendo in discussione le questioni di gene
Externí odkaz:
https://doaj.org/article/a691284a242347cca48c8b950aecaf3d
Autor:
Federica Stevanin
Publikováno v:
Figure, Vol 3, Iss 0, Pp 96-107 (2017)
Starting with “Earthworks” and ending with the latter “Ends of the Earth” exhibition, the article analyzes both the role played by the photographic image in the display of Land art and the difficult relationship between artists and photograph
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doajarticles::f9b9c4fc860ea134f1f55a77d08369ed
https://figure.unibo.it/article/view/7447
https://figure.unibo.it/article/view/7447