Zobrazeno 1 - 10
of 123
pro vyhledávání: '"Federica Muzzarelli"'
Autor:
Federica Muzzarelli
Publikováno v:
piano b, Vol 6, Iss 2, Pp 1-26 (2022)
Starting from the second half of the nineteenth century, some women have experimented an alternative artistry with the aim of refusing to identify with the image of submission, exclusion and marginality that politics, culture and society designed for
Externí odkaz:
https://doaj.org/article/5a42d24264da40a496d10ba4c1dee3a6
Autor:
TUSINI, GIAN LUCA
Recensione al saggio di federcia Muzzarelli ove si mette il luce l'originalità della ricerca e la trasversalità dell'argomento.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::8dc6c4a9f0fcb6279694fe560484d299
http://hdl.handle.net/11585/73845
http://hdl.handle.net/11585/73845
Autor:
Federica Muzzarelli
Publikováno v:
STORIA E PROBLEMI CONTEMPORANEI. :13-28
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49d1a4c7beea13304e14a00de85ffdc4
https://doi.org/10.3280/spc2021-088002
https://doi.org/10.3280/spc2021-088002
Autor:
Federica Muzzarelli, Claudio Marra
Publikováno v:
ZoneModa Journal, Vol 8, Iss 2, Pp 91-118 (2018)
Art and fashion have always play with the ambiguous attraction adults feel towards tween eroticism. In 1998 the fashion photographer Ellen Von Unwerth shot a picture for the cover of the magazine i-D in collaboration with the model Devon Aoki. In the
Externí odkaz:
https://doaj.org/article/ccde73c6cf274dada01499c4c3cefd3c
Autor:
Federica Muzzarelli
Publikováno v:
piano b, Vol 1, Iss 1, Pp 213-231 (2016)
The so-called “bulb mode” is the possibility a photographer has to slow down the shutter speed when in need of a very long exposure. Starting from this technical element typical of the photographic language, the paper compares two experiences lin
Externí odkaz:
https://doaj.org/article/252b13349fc74ac4952de41b632e15a5
Autor:
Federica Muzzarelli
Publikováno v:
Fashion, Style & Popular Culture. 8:189-204
Voyeurism and desire are drives linked ontologically to the identity of the photographic and fashion system. Photographing someone is always an act of voyeuristic possession of something that belongs to another, or at least to the surrounding reality
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c06ad26d1da5e9f330d830e573465917
https://doi.org/10.1386/fspc_00078_1
https://doi.org/10.1386/fspc_00078_1
Autor:
Federica Muzzarelli, Author
This volume analyzes how six protagonists of culture, between the end of the 19th century and the beginning of the 20th century, built their media image by exploiting the innovations brought about by the invention of photography. By exalting the cult
Autor:
Federica Muzzarelli
Publikováno v:
Visual Resources. 34:265-292
This article explores how Swiss writer and photographer Annemarie Schwarzenbach (1908– 1942), used photography, both as author and subject, to define a new identity and build a new visibility for women. It begins by exploring the shared poetics tha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6ac71767b9b087ef2a7617ca84ff5796
https://doi.org/10.1080/01973762.2018.1444129
https://doi.org/10.1080/01973762.2018.1444129
Autor:
Mascio, Antonella, Valeriani, Antonella Mascio e. Junji Tsuchiya Romana Andò e. Luisa, Brembilla, Paola, Roberti, Ariela Mortara e. Geraldina, Manzato, Anna, Felletti, Linda, Meraviglia, Laura, Di Paolo, Alessia, Medvedev, Sergei A., Barone, Tiziana, Rossi, Irene Guzman e. Valentina, Tolic, Ines, Giannone, Antonella, Federica Muzzarelli, Cecilia Cestari, Stella, Mariafrancesca, Pompa, Chiara, Brandi, Elisa Tosi, Reinach, Simona Segre, Shoshana Rose Marzel, Guy D. Stiebel, Proni, Gianpaolo, Daniela Baroncini, Cecilia Penati, Anna Sfardini, Gianluca Lo Vetro, Rossi, Giulia, Vai, Elena, Malfitano, Alberto, Letteriello, Ilaria, Ferrari, Ludovica, Françoise Allary, Antonella Mascio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3686::903323e8c4d6dfc4b530750a6499c99b
http://hdl.handle.net/11573/974832
http://hdl.handle.net/11573/974832