Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Federica Cavaletti"'
Autor:
Ilaria Ampollini, Fabrizia Bandi, Federica Cavaletti, Pietro Conte, Margherita Fontana, Giancarlo Grossi, Andrea Pinotti, Sofia Pirandello, Ilaria Terrenghi
Publikováno v:
img journal, Iss 9, Pp 40-73 (2024)
The ERC Advanced Grant AN-ICON, coordinated by Andrea Pinotti and hosted by the Department of Philosophy Piero Martinetti of the University of Milan, is cross-disciplinary project that brings together aesthetics, media theory, archaeology and various
Externí odkaz:
https://doaj.org/article/fc28bc9aace7494298b7cf76f1407f82
Transformational Experiences. The Role of Immersive Arts and Media in Individual and Societal Change
Autor:
Federica Cavaletti, Katrin Heimann
Publikováno v:
AN-ICON, Vol 3, Iss I (2024)
We live in times of humanitarian and environmental crises. The effects of climate change add to the economic, physical, and mental suffering caused by social discrimination, in the form of gender, class, and race inequalities. Encounters with and
Externí odkaz:
https://doaj.org/article/695b0eed85544772a36947fe196a7b35
Publikováno v:
Aisthesis, Vol 16, Iss 1 (2023)
The increased availability and usage of immersive devices, together with futuristic narratives promoted by technology and media “gurus” and entrepreneurs, has encouraged a strong revival of the notion of virtuality. At first sight, this notion ap
Externí odkaz:
https://doaj.org/article/d7c4dd603b5545de926442d887229bfc
Autor:
Federica Cavaletti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
From its very origins, cinema has demonstrated a particular interest in the representation of altered states of consciousness: memories, visions, nightmares and dreams are a common feature of narrative films and usually interrupt a flow of events by
Externí odkaz:
https://doaj.org/article/4c71413e314f4536ad8888217a935db0
Autor:
Federica Cavaletti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
This paper casts film experience as a sort of disembodied perception. I will show how this experience can be manipulated and altered in order to approximate to mental states of fictional characters, in particular embodied perception, memory and imagi
Externí odkaz:
https://doaj.org/article/87841f5e8beb4de58c1d0c03ed1f3821
Autor:
Federica Cavaletti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
The landscape of contemporary visual culture and contemporary artistic practices is currently undergoing profound transformations caused by the application of technologies of machine learning to the vast domain of networked digital images. The impact
Externí odkaz:
https://doaj.org/article/dfaace67fd2443d6ad07d1cd8098a334
Autor:
Federica Cavaletti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
Representing altered states of consciousness, even through the most phantasmal of technical images, is an inherent contradiction; once we attribute a physical body, i.e. objectivity, to mental images, we deny what Husserl considers their very essence
Externí odkaz:
https://doaj.org/article/010e1fbb0dc3436d83b4127ed40c543d
Autor:
Federica Cavaletti
Publikováno v:
Cinéma & Cie, Vol 20, Iss 35 (2020)
Individuals suffering from depression often experience a condition of isolation, which relegates them in a separate and neglected world of their own. In light of this issue, could audiovisual media contribute to drawing attention to the world of depr
Externí odkaz:
https://doaj.org/article/2eb2ca3ebc3943d4a9dc22fe86d3e46b
Autor:
Federica Cavaletti
Publikováno v:
Cinéma & Cie, Vol 17, Iss 29 (2017)
Externí odkaz:
https://doaj.org/article/cbfc94514163477e8edc5e178fc7a01c
Publikováno v:
Projections. 17:92-110
Adriana Gordejuela. Flashbacks in Film: A Cognitive and Multimodal Analysis. New York: Routledge, 2021, 190 pp, $128.00 (hardback), ISBN: 9780367721336. Francesco Sticchi. Melancholy Emotion in Contemporary Cinema. New York: Routledge, 2019, 206 pp,