Zobrazeno 1 - 10
of 54
pro vyhledávání: '"Fazenda, BM"'
Publikováno v:
Salford Postgraduate Annual Researcher Conference (SPARC) 2019
With the purpose of assisting developments in urban soundscape design, the present research investigates how soundscapes can influence emotions and behaviours in public spaces aiming to find healthy reactions to “exciting” sonic environments. In
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::cea0d9c0c2182671bdcabe48c5b59828
https://usir.salford.ac.uk/id/eprint/51955/1/Poster_SPARC_2019.pdf
https://usir.salford.ac.uk/id/eprint/51955/1/Poster_SPARC_2019.pdf
Publikováno v:
Berlin, Germany : Deutsche Gesellschaft für Akustik 6158-6163 (2019). doi:10.18154/RWTH-CONV-239806
Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels
Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels23. International Congress on Acoustics, ICA 2019, Aachen, Germany, 2019-09-09-2019-09-13
Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels
Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels23. International Congress on Acoustics, ICA 2019, Aachen, Germany, 2019-09-09-2019-09-13
Proceedings of the ICA 2019 and EAA Euroregio : 23rd International Congress on Acoustics, integrating 4th EAA Euroregio 2019 : 9-13 September 2019, Aachen, Germany / proceedings editor: Martin Ochmann, Michael Vorländer, Janina Fels 23rd Internation
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f4e7f60f8e8c814cfcf2f532b0fa4533
Autor:
Bailey, W, Fazenda, BM
Publikováno v:
Audio Engineering Society 144th Convention
Immersive virtual reality is by its nature a multimodal medium and the use of spatial audio renderers for VR\ud development is widespread. The aim of this study is to assess the performance of two common audio rendering\ud methods and the effect of t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::71ea878c9be6441f479ba0548d97e0d0
https://usir.salford.ac.uk/id/eprint/50925/1/19438.pdf
https://usir.salford.ac.uk/id/eprint/50925/1/19438.pdf
Publikováno v:
DMRN+12 Digital Music Research Network:One Day Workshop 2017
Proceedings of the DMRN+12 : Digital Music Research Network
Proceedings of the DMRN+12 : Digital Music Research Network
Music and audio applications are well suited to tactile control. In sound and music computing there can be a disconnect between design of human-computer interfacing and application congruent design. A categorical approach is proposed, considering act
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::5e379500fe56cfc84440ffaf28ecc5d7
https://eprints.whiterose.ac.uk/125145/1/1page_dmrn12_template_BMF_DW_nomarkup_.docx
https://eprints.whiterose.ac.uk/125145/1/1page_dmrn12_template_BMF_DW_nomarkup_.docx
Publikováno v:
Proceedings of the 3rd Workshop on Intelligent Music Production (WIMP 2017)
Intelligent music production tools aim to assist the user by automating music production tasks. Many previous systems sought to create the best possible mix based on technical parameters but rarely has subjectivity been directly incorporated. This pa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::8033ab633f96a69461bda1d04a4b58df
https://usir.salford.ac.uk/id/eprint/44276/1/WIMP2017_WilsonEtAl.pdf
https://usir.salford.ac.uk/id/eprint/44276/1/WIMP2017_WilsonEtAl.pdf
Autor:
Wilson, AD, Fazenda, BM
Publikováno v:
Proceedings of the 2nd AES Workshop on Intelligent Music Production
A novel methodology for intelligent music production has been developed using evolutionary computation. Mixes are generated by exploration of a “mix-space”, which consists of a series of inter-channel volume ratios, allowing efficient generation
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::957c99f39c7f0995873683f80ed20f9e
https://usir.salford.ac.uk/id/eprint/44278/1/Wilson.pdf
https://usir.salford.ac.uk/id/eprint/44278/1/Wilson.pdf
Technology to record sound, available in personal devices such as smartphones or video recording devices, is now ubiquitous. However, the production quality of the sound on this user-generated content is often very poor: distorted, noisy, with garble
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::74401e5b7a8e15c5ef674bb1865e0fc9
Autor:
Wilson, AD, Fazenda, BM
Publikováno v:
MusTWork16 – ‘Music Technology Workshop 2016: Establishing a Partnership Between Music Technology, Business Analytics and Industry in Ireland'
The field of intelligent music production has been an active research topic for over a decade. The\ud aim is to develop systems which are capable of performing common tasks in music production, such\ud as level-balancing, equalisation, panning, dynam
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::d005de90ee991a399021ba8dc4aac094
Autor:
Wilson, AD, Fazenda, BM
Publikováno v:
Applied Sciences, Vol 7, Iss 12, p 1329 (2017)
Applied Sciences; Volume 7; Issue 12; Pages: 1329
Applied Sciences; Volume 7; Issue 12; Pages: 1329
The creation of multitrack mixes by audio engineers is a time-consuming activity and creating high-quality mixes requires a great deal of knowledge and experience. Previous studies on the perception of music mixes have been limited by the relatively
Autor:
Wilson, AD, Fazenda, BM
The mixing of audio signals has been at the foundation of\ud audio production since the advent of electrical recording in the 1920’s, yet the mathematical and psychological bases for this activity are relatively under-studied. This paper investigat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4f2dc9620aa2782a8729b9d771c1d619