Zobrazeno 1 - 10
of 56
pro vyhledávání: '"Fazel Asadi Amjad"'
Publikováno v:
هنرهای زیبا. هنرهای نمایشی و موسیقی, Vol 29, Iss 3, Pp 18-29 (2024)
The harrowing memories of lynching as a method of historical implementation of terror and violence imposed on generations of Afro-Americans have been portrayed in numerous dramatic works. Lynching is generally referred to as a quasi-ritual and extra-
Externí odkaz:
https://doaj.org/article/fa807451912e4489ae958d599f61412c
Autor:
Sahar Jamshidian, Fazel Asadi Amjad
Publikováno v:
K@ta: A Biannual Publication on the Study of Language and Literature, Vol 22, Iss 2, Pp 70-78 (2020)
Viewing Shelley’s The Cenci from the political upheavals of the nineteenth century would limit one’s response to the play to the issues of that century. However, this play continues to be played in the twenty first century, which makes one wonder
Externí odkaz:
https://doaj.org/article/df2afe941b8b49bc9b2c1b4f779ede7d
Autor:
Fateme Mojdegani, Fazel Asadi Amjad
Publikováno v:
Religious Inquiries, Vol 9, Iss 18, Pp 71-90 (2020)
Ralph Waldo Emersonʼs interest in the East is evident throughout his essays, poems, and lectures. He regards the East as an ignored territory of knowledge and mysticism that contains invaluable wisdom awaiting to be explored by Western thinkers. As
Externí odkaz:
https://doaj.org/article/7a3711e0375c491885a438194f79d720
Autor:
Alireza Nazari, Fazel Asadi Amjad
Publikováno v:
حکمت و فلسفه, Vol 14, Iss 56, Pp 113-145 (2018)
Eugène Ionesco in his play, The killer (1960) depicts a true reflection of the human condition; he depicts the images of life and death, being and non-being, and the reality of man’s reduction into the cypher of non-being. He wants man to come to
Externí odkaz:
https://doaj.org/article/a2c59d2be4d54c20a189ea8d20c8051b
Publikováno v:
Metaphysics, Vol 9, Iss 24, Pp 95-110 (2018)
The present article attempts to analyze and compare the views of Charles Darwin and Michel Foucault from an ontological point of view, claiming that there are serious ontological common grounds between the two. At first glance, such a comparison seem
Externí odkaz:
https://doaj.org/article/a8cb14db6bd2462d81c4f2971b047319
Publikováno v:
International Journal of English Language and Translation Studies, Vol 05, Iss 03, Pp 70-78 (2017)
In re-visioning history, the dramatists from around the world look at the historical figures on their own ways, not as it is. However, they exert a unique way of recounting the past. That is why the historical characters such as Tamburlaine appears
Externí odkaz:
https://doaj.org/article/52825c00cfa24e8da5430627b6c03584
Publikováno v:
International Journal of English Language and Translation Studies, Vol 05, Iss 02, Pp 94-102 (2017)
In “Signs taken for ‘wonders’” Homi Bhabha deliberates on the effect of colonial encounter on the colonized subjects as a result of their introduction to colonial cultural discourse which he calls the “emblem of the English book”. Thus, h
Externí odkaz:
https://doaj.org/article/67a4412dc2704f3f89616690bdf6897a
Autor:
Fariba Noorbakhsh, Fazel Asadi Amjad
Publikováno v:
Anafora, Vol 3, Iss 2, Pp 211-224 (2016)
The article argues that Sarah, the title character of Fowles’ novel The French Lieutenant’s Woman (1969), resists the oppressive ideology of her time by writing her own historiography. In the process, not only does she emplot a tragic past for he
Externí odkaz:
https://doaj.org/article/ca5a54247a4240b89a2c4306b56c0317
Publikováno v:
Religious Inquiries, Vol 5, Iss 9, Pp 47-66 (2016)
One of the recent inquiries in the field of hadith studies is the investigation of transferred traditions and their causes and impacts on Shi‘i hadith circles. By exploring some traditions in the hadith collection of al-Shaykh al-Saduq and comparin
Externí odkaz:
https://doaj.org/article/2e2f32d5738147048b6ff6309f0392ac
Publikováno v:
Cogent Arts & Humanities, Vol 5, Iss 1 (2018)
A comprehensive command of national (Persian) and Western (mainly English/American) literary traditions and a deep knowledge of historical events form the backbone of the cinematographic oeuvre of Hassan Fathi, an Iranian director noted for his “hi
Externí odkaz:
https://doaj.org/article/02516c9bc3994d5fb29950c7c94b6c6a