Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Fareed Ben-Youssef"'
Autor:
Fareed Ben-Youssef
Publikováno v:
Japanese Language and Literature, Vol 53, Iss 2, Pp 203-231 (2019)
Japanese filmmaker Takahara Hidekazu's film Gamushara (2015), portrays joshi puroresu (female professional wrestling) star Yasukawa Act working through the trauma of sexual abuse through the spectacular world of professional wrestling. Shortly before
Externí odkaz:
https://doaj.org/article/7e1dca2a886b4d72a11f01b1517a608b
Autor:
Marianne Tarcov, Fareed Ben-Youssef
Publikováno v:
Japanese Language and Literature, Vol 53, Iss 2, Pp 177-181 (2019)
Across a diverse set of texts from Japanese media and literature, including professional wrestling, avant-garde writing, and Zainichi Korean literature, this special section explores the fluid relationship between femininity and the body, where one i
Externí odkaz:
https://doaj.org/article/1ca1cbcd7d3b42a7bdb0283f685ad261
Publikováno v:
Security Journal. 33:565-582
Superhero films and episodic shows have existed since the early days of those media, but since 9/11, they have become one of the most popular and most lucrative forms of popular culture. These fantastic tales are not simple amusements but nuanced exp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5022ec0f4df31ef615bbad801be875a2
https://doi.org/10.1057/s41284-019-00193-7
https://doi.org/10.1057/s41284-019-00193-7
Autor:
Fareed Ben-Youssef
No Jurisdiction interweaves autobiography and analysis to explore how a disabled American of French-Arab descent justifies his love for the (super)heroes who destroy brown people like himself. Framing Hollywood genre films as a key to understanding a
Autor:
Fareed Ben-Youssef
Publikováno v:
The Journal of Popular Culture. 50:814-834
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c8f71d05397a579a7ee792adceb8acc7
https://doi.org/10.1111/jpcu.12578
https://doi.org/10.1111/jpcu.12578
Autor:
Fareed Ben-Youssef
Publikováno v:
Studia Filmoznawcze. 38:75-89
The War on Terror was made global in 2001 through U.N. Resolution 1373. Nassim Amaouche’s 2009 Adieu Gary appears distant from this transformation in international law. Yet its French-Arab protagonists negotiate mass media envisionings of the “te
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::19bfb7bd626ff8a61c8d2f264090636b
https://doi.org/10.19195/0860-116x.38.6
https://doi.org/10.19195/0860-116x.38.6