Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Fabrizio Bondi"'
Autor:
Fabrizio Bondi
Publikováno v:
Griseldaonline, Vol 23, Iss 1, Pp 107-123 (2024)
This paper aims to describe the methodology, the process of creation and the structure of a digital interactive platform through which a team of literature scholars, poets, web graphics and developers is trying to renew the old educational instrument
Externí odkaz:
https://doaj.org/article/3820f17b91644833ae449d8672e9818d
Autor:
Fabrizio Bondi
Publikováno v:
Ticontre: Teoria Testo Traduzione, Vol 0, Iss 5 (2016)
Il Poema osceno. Romanzo (1995) di Ottiero Ottieri, oggetto letterario pressoché inclassificabile, misto di poesia, dialogo drammatico e prosa narrativa, è forse la più ambiziosa (e senz’altro la più vasta) tra le ultime opere dell’autore. Il
Externí odkaz:
https://doaj.org/article/521b27bf497c40918f05348a758d148b
Autor:
Fabrizio Bondi
Publikováno v:
Parole Rubate, Vol 2, Iss 3, Pp 27-62 (2011)
This article examines some sixteenth-century rewritings of the myth of Procne and Philomela, mainly based on the poetic version by Ovid (Metamorphoses): the tragedies by Parabosco, Correr and Domenichi; the translations into Italian by Dolce, Symeoni
Externí odkaz:
https://doaj.org/article/5bf0682a8fd84265bc44f7c4683f9e3a
Publikováno v:
The Wounded Body ISBN: 9783030919030
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed708ed0f15f36600ae53f1d61ae4416
https://doi.org/10.1007/978-3-030-91904-7_1
https://doi.org/10.1007/978-3-030-91904-7_1
Autor:
Fabrizio Bondi
Publikováno v:
The Wounded Body ISBN: 9783030919030
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34f35ff8491f737908021fed9071c66d
https://doi.org/10.1007/978-3-030-91904-7_13
https://doi.org/10.1007/978-3-030-91904-7_13
This edited collection explores the image of the wound as a ‘cultural symptom'and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementar
Autor:
Fabrizio Bondi
This paper aims to shed some light on one aspect of the art of Luigi Pasotelli (1925-1993), one of the more eminent (and less known) performers and graphic artists of the Italian scene between the 1980s and the 1990s: Pasotelli’s peculiar use of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::628c02cdf03fa173c29e7559f502d93f