Zobrazeno 1 - 10
of 60
pro vyhledávání: '"Fabrice Schurmans"'
Autor:
Fabrice SCHURMANS
Publikováno v:
Revue Roumaine d’Etudes Francophones, Vol 11, Pp 174-187 (2020)
The main objective of this article is to reread Maeterlinck’s proposals concerning marionettes in a broader context of questioning the presence of the actor on stage. It begins by analysing the author’s essay Menus propos. Le théâtre. Then, it
Externí odkaz:
https://doaj.org/article/1b914b76dae14757a8b329681613f154
Autor:
Fabrice Schurmans
Publikováno v:
Práticas da História, Iss 13 (2021)
Externí odkaz:
https://doaj.org/article/c62cb24510c9442a85831b51cea8953a
Autor:
Fabrice Schurmans
Publikováno v:
e-cadernos ces, Vol 32 (2019)
Agence Black Bafoussa (1996) offers a fictional representation of a poorly known social milieu, that of communities from sub-Saharan Africa living in Paris. Though the protagonists’ country of origin is imaginary, the reader easily identifies many
Externí odkaz:
https://doaj.org/article/e66bc4cd73a341ea8c03347c1c2965f4
Autor:
Fabrice Schurmans
Publikováno v:
Revue Nordique des Études Francophones, Vol 2, Iss 1 (2019)
Le spectacle 'Colon(ial)oscopie' de la compagnie 'Ah mon amour !' questionne les représentations négatives de l’Autre africain ainsi que les traces du colonial dans la société belge. Il s’inscrit dans un contexte de retour au passé colonial
Externí odkaz:
https://doaj.org/article/ee42fa5d66d741ea865a8a0b47d6ffc1
Autor:
Fabrice Schurmans
Publikováno v:
Revista Crítica de Ciências Sociais, Vol 106, Pp 85-104 (2015)
This essay examines how Aimé Césaire’s tragedy Une Saison au Congo [A Season in the Congo] and Raoul Peck’s film Lumumba contribute to the production of historical discourse about the death of Patrice Lumumba. In the first part, I discuss the r
Externí odkaz:
https://doaj.org/article/56c8423661664e5b96e9bc8f5359c161
Autor:
Fabrice Schurmans
Publikováno v:
Carnets, Vol 10 (2017)
This essay examines how the post-memory of the suffering caused by the slave trade is depicted in two novels, Beloved (Toni Morrison) and Humus (Fabienne Kanor). In the first part, it analyses the modes of representing the body of the slave as well a
Externí odkaz:
https://doaj.org/article/0fa5db6d26d947e38d46cf0d17324f22
Autor:
Fabrice Schurmans
Publikováno v:
Revista Crítica de Ciências Sociais, Vol 105, Pp 93-112 (2014)
This paper analyzes a corpus of films that represent various journeys of illegal migrants. It focuses specifically on the role of the illegal migrant on the border, understood as both a place and a metaphor. After critically examining the notion of b
Externí odkaz:
https://doaj.org/article/efb62509402f45209ad5816e985f85c2
Autor:
Fabrice Schurmans
Publikováno v:
e-cadernos ces, Vol 26 (2016)
Externí odkaz:
https://doaj.org/article/a0f5fd15646740dba9e19da9f9bc4f52
Autor:
Fabrice Schurmans
Publikováno v:
e-cadernos ces, Vol 26 (2016)
Externí odkaz:
https://doaj.org/article/181c99b45a45415688e3907f3c206d67
Autor:
Fabrice Schurmans
Publikováno v:
e-cadernos ces, Vol 26 (2016)
Externí odkaz:
https://doaj.org/article/afd962f34ce3416388fee26c817f54a8