Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Fabrice Marandola"'
Publikováno v:
Frontiers in Psychology, Vol 14 (2023)
When sight-reading a score, a timpanist needs to decide in real-time which stick to use to play a specific note while interpreting the musical material. Our main point of inquiry seeks to understand which sticking patterns performers employ and how t
Externí odkaz:
https://doaj.org/article/76b5f422f82e4adf9e7524355a19d05a
Autor:
Fabrice Marandola
Publikováno v:
Journal of Eye Movement Research, Vol 11, Iss 2 (2019)
This article is the result of a first foray into xylophone performance with percussionists from Canada and Cameroon. It proposes to use the combination of Eye-Stroke Span (ESS), Fix- ation-Duration and Note-Pattern indexes to analyze free-score and p
Externí odkaz:
https://doaj.org/article/77ac5ab7bdc04b51ba332f6c12bb504b
Autor:
Fabrice Marandola
Publikováno v:
Journal of Eye Movement Research
Journal of Eye Movement Research, Vol 11, Iss 2 (2019)
Journal of Eye Movement Research; Bd. 11 Nr. 2 (2018): Special Thematic Issue „Music and Eye Tracking“
Journal of Eye Movement Research; Vol. 11 No. 2 (2018): Special Thematic Issue „Music and Eye Tracking“
Journal of Eye Movement Research, Vol 11, Iss 2 (2019)
Journal of Eye Movement Research; Bd. 11 Nr. 2 (2018): Special Thematic Issue „Music and Eye Tracking“
Journal of Eye Movement Research; Vol. 11 No. 2 (2018): Special Thematic Issue „Music and Eye Tracking“
This article is the result of a first foray into xylophone performance with percussionists from Canada and Cameroon. It proposes to use the combination of Eye-Stroke Span (ESS), Fix- ation-Duration and Note-Pattern indexes to analyze free-score and p
Publikováno v:
Computer methods in biomechanics and biomedical engineering. 20(sup1)
Publikováno v:
MOCO'16: 3rd International Symposium On Movement & Computing
MOCO'16: 3rd International Symposium On Movement & Computing, Jul 2016, Thessaloniki, Greece. ⟨10.1145/2948910.2948934⟩
MOCO
MOCO'16: 3rd International Symposium On Movement & Computing, Jul 2016, Thessaloniki, Greece. ⟨10.1145/2948910.2948934⟩
MOCO
International audience; In this paper we characterize timpani gestures by temporal kinematic features, containing most information responsible for the sound-producing actions. In order to evaluate the feature sets, a classification approach is conduc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e6ac39ca5d24d315f7fd8d09db92e6e4
https://hal.archives-ouvertes.fr/hal-01367819/document
https://hal.archives-ouvertes.fr/hal-01367819/document
Autor:
Francisco Gómez, Fabrice Marandola, Emilia Gómez, Godfried T. Toussaint, Catherine Guastavino
Publikováno v:
Journal of New Music Research. 38:129-138
Music similarity underlies a large part of a listener’s experience, as it relates to familiarity and associations between di!erent pieces or parts. Rhythmic similarity has receivedscantresearch attentionincomparisonwith other aspects of music simil
Autor:
Fabrice Marandola
Publikováno v:
Circuit. 18:53-72
Pulau Dewata est la seule oeuvre de Claude Vivier dont l’orchestration reste totalement libre. Composée en 1977, au retour d’un voyage consacré pour une large part à l’étude de la musique balinaise, elle a fait depuis l’objet d’un nombr
Publikováno v:
MOCO
This paper presents the findings of a study investigating the effects of handedness on percussionists. Handedness, which is a subcategory of the field of laterality, has a number of wide-ranging effects on human movement. Previous research has shown
Autor:
Fabrice Marandola
Publikováno v:
Musicae Scientiae. 4:97-106
Ce texte, écrit en collaboration par quatre membres du Département Ethnomusicologie du LACITO (Laboratoire des Langues et Civilisations à Tradition Orale du CNRS), présente les données concernant les principes de la rythmique en Afrique centrale
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e62985bd430d24bcbebab3ac9954b26e
http://ethnomusicologie.revues.org/846
http://ethnomusicologie.revues.org/846