Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Ewa Skwara"'
Autor:
Ewa Skwara
Publikováno v:
Przekładaniec, Vol 2023, Iss 1, Pp 104-122 (2023)
Rape on Stage (the Case of Terence) In four of his six comedies the Roman playwright Terence uses rape as the key element of intrigue which in the plot of his plays leads to marriage and a happy ending. This poses a major problem to translators, no
Externí odkaz:
https://doaj.org/article/181981a0f02a4a8cbc1bf8ea48d03b08
Autor:
Ewa Skwara
Publikováno v:
Classica, Revista Brasileira de Estudos Clássicos, Vol 26, Iss 2, Pp 163-174 (2013)
The Polish novel Quo vadis by Henryk Sienkiewicz was adapted into film five times. Every adaptation was filmed in special circumstances, accompanied by different political situations and each time for a different, specific audience. The comparison an
Externí odkaz:
https://doaj.org/article/514ede492af44dda93d204d0b2c64310
Autor:
Ewa Skwara
Publikováno v:
The Novel of Neronian Rome and its Multimedial Transformations
Sienkiewicz had to dress the characters of Quo vadis in period garments. Their descriptions rarely appear, but they are highly suggestive of how the author understood ancient Rome and tried to recreate it in his work. Sienkiewicz gives detailed descr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06ceba53671c92e273b2363ce5a619f8
https://doi.org/10.1093/oso/9780198867531.003.0004
https://doi.org/10.1093/oso/9780198867531.003.0004
Autor:
Ewa Skwara
Publikováno v:
Food and History. 12:85-98
In every society food, apart from its function to feed, also finds its way into the metaphorical level of language use. One can identify interesting examples of those practices in Roman comedy. Food, or to be accurate, feasts, usually appear as the b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::41601885cc0162e63d05f662df007c07
https://doi.org/10.1484/j.food.5.110587
https://doi.org/10.1484/j.food.5.110587
Autor:
Ewa Skwara
Publikováno v:
Classica - Revista Brasileira de Estudos Clássicos. 26:163-174
The Polish novel Quo vadis by Henryk Sienkiewicz was adapted into film five times. Every adaptation was filmed in special circumstances, accompanied by different political situations and each time for a different, specific audience. The comparison an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dd6f3b1b99c62c41625dba2a22c11007
https://doi.org/10.14195/2176-6436_26-2_8
https://doi.org/10.14195/2176-6436_26-2_8
Autor:
Ewa Skwara
Publikováno v:
Symbolae Philologorum Posnaniensium Graecae et Latinae. 27:7
This article is a voice in the discussion on the methods of stage implementation of Greek tragedy. The discussed staging of “Oedipus Rex” opera by Stravinsky (Tokyo ‚94) is dominated by non-verbal means of expression (music, set design, costume
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fb09eb1092bfa7e9e0b68c3a09737f06
https://doi.org/10.14746/sppgl.2017.xxvii.3.1
https://doi.org/10.14746/sppgl.2017.xxvii.3.1
Autor:
Monica Dall’Asta, Alessandro Faccioli
The figure of the strongman Ursus unquestionably occupies a central position among the enduring contributions of the Polish novel Quo vadis to the transnational popular culture of the twentieth century. Adding to the numerous film and television adap
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::77f9c18362f660630a3ddab4dd7c88b7
http://hdl.handle.net/11585/812514
http://hdl.handle.net/11585/812514