Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Eva Hielscher"'
The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of ab
Autor:
Eva Hielscher
Publikováno v:
Routledge Encyclopedia of Modernism ISBN: 9781135000356
De Brug (The Bridge) is a black-and-white short silent film by Joris Ivens about the Koningshavenbrug in Rotterdam, a railroad lift bridge built between 1925 and 1927 also known as De Hef (The Lift). An iconic title of the Dutch avant-garde, the film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::829c59614d75b9e98417338ec3f38f87
https://doi.org/10.4324/9781135000356-rem1935-1
https://doi.org/10.4324/9781135000356-rem1935-1
Autor:
Eva Hielscher
Publikováno v:
Routledge Encyclopedia of Modernism ISBN: 9781135000356
Regen (Rain) is a black-and-white short film by Joris Ivens and Mannus Franken about a rain shower in Amsterdam. As a masterpiece of Dutch avant-garde cinema, it is an impressionist and lyrical example of a city symphony, a film form that organizes u
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f3c573dc689e4c465bd6ca22337f8772
https://doi.org/10.4324/9781135000356-rem1936-1
https://doi.org/10.4324/9781135000356-rem1936-1
Publikováno v:
Journal of the History of the Neurosciences. 25:84-101
Historical films made by neuroscientists have shown up in several countries during past years. Although originally supposed to have been lost, we recently found a collection of films produced between 1909 and 1940 by Rudolf Magnus (1873-1927), profes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::122d32b04cf14f28a0014670d27b7e8b
https://doi.org/10.1080/0964704x.2015.1072776
https://doi.org/10.1080/0964704x.2015.1072776
Autor:
Eva Hielscher
Publikováno v:
Historical Journal of Film, Radio and Television. 35:375-378
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06e71b82bd3aca0c48701ecffc0e7b42
https://doi.org/10.1080/01439685.2015.1030218
https://doi.org/10.1080/01439685.2015.1030218
Autor:
Marijn Koolen, Liliana Melgar Estrada, Jaap Blom, Christian Gosvig Olesen, Julia Noordegraaf, Eva Hielscher
Publikováno v:
The Moving Image, 17(2), 40-70. University of Minnesota
This article describes a study of the affordances of a group of information systems (so-called “tools”) that make it possible to do computer-mediated film analyses. Film scholars have started using these tools to annotate and analyze digital film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cc5e55ecd95db3cc989bf9f0f2b9d10f
https://doi.org/10.5749/movingimage.17.2.0040
https://doi.org/10.5749/movingimage.17.2.0040