Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Eugenio Ercolani"'
Autor:
Eugenio Ercolani
This work is a detailed portrait of one of the most important, bustling and absurd industries that cinema has ever known: colorful essays and nine career-spanning interviews with Italian genre directors of the 1970s, such as Luigi Cozzi, Francesco Ba
Autor:
Eugenio Ercolani, Marcus Stiglegger
Publikováno v:
Cruising
This first chapter introduces many of the themes and theories that will be disseminated throughout the book and chronicles all the events that brought director William Friedkin to cross paths with Gerald Walker’s novel. Great attention is given to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ecbfc1af81d934727a7b37482eaab41
https://doi.org/10.3828/liverpool/9781800348363.003.0002
https://doi.org/10.3828/liverpool/9781800348363.003.0002
Autor:
Marcus Stiglegger, Eugenio Ercolani
Publikováno v:
Cruising
This chapter argues that over four decades Cruising evolved from a ‘film maudit’ to an international cult hit. Even the soundtrack LP developed a cult following, with the title song appearing in Quentin Tarantino’s Death Proof. Cruising has als
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb9b8e26c7dafb6e6db0e2f47f952375
https://doi.org/10.3828/liverpool/9781800348363.003.0011
https://doi.org/10.3828/liverpool/9781800348363.003.0011
Autor:
Eugenio Ercolani, Marcus Stiglegger
Publikováno v:
Cruising
In this chapter the real events that inspired Cruising are described and give the novel its context. In the 1960s detective Randy Jurgensen set out to investigate a series of brutal murders within the gay leather scene. This essay explores Jurgensen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::10a1094bcae92cce1fc875178a3c597f
https://doi.org/10.3828/liverpool/9781800348363.003.0003
https://doi.org/10.3828/liverpool/9781800348363.003.0003
Autor:
Eugenio Ercolani, Marcus Stiglegger
Publikováno v:
Cruising
In this chapter Cruising is contextualized as part of an ‘infernal trilogy’, comprised of the subsequent To Live and Die in L.A. and Jade. Each film is set in a different American city and deals with deviant sexuality and excessive violence. All
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::042d49398dd5d8dd962b2df4666de26c
https://doi.org/10.3828/liverpool/9781800348363.003.0005
https://doi.org/10.3828/liverpool/9781800348363.003.0005
Autor:
Eugenio Ercolani, Marcus Stiglegger
Publikováno v:
Cruising
This chapter defines Cruising as a horror film directed in the modus of a cop thriller. When analysed closely it becomes clear that not one but several killers roam the Meatpacking District of New York, and in the end even the protagonist might be in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fae82399c5bd5a8389c62116f4ca0d9d
https://doi.org/10.3828/liverpool/9781800348363.003.0009
https://doi.org/10.3828/liverpool/9781800348363.003.0009
Autor:
Eugenio Ercolani, Marcus Stiglegger
Publikováno v:
Cruising
The chapter focuses entirely on Al Pacino’s career preceding his role as Steve Burns in William Friedkin’s Cruising and all the films he participated in, from Me, Nathalie, Pacino’s first film role, to his critically acclaimed performances in c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::447fa4baa9d170dd47c38bad411c816d
https://doi.org/10.3828/liverpool/9781800348363.003.0008
https://doi.org/10.3828/liverpool/9781800348363.003.0008
Autor:
Eugenio Ercolani, Marcus Stiglegger
This short introductory section provides a synopsis of the film, describes the protests that took place during the making, and introduces the thesis that the perception of this film has changed over the four decades since its premiere.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::135bbcbc85b400bd50c3f5d309996067
https://doi.org/10.3828/liverpool/9781800348363.003.0001
https://doi.org/10.3828/liverpool/9781800348363.003.0001
Autor:
Eugenio Ercolani, Marcus Stiglegger
When William Friedkin’s psycho thriller Cruising was shown at the Berlin International Film Festival and hit cinemas worldwide in 1980 it was mainly misunderstood: the upcoming gay scene dismissed it as an offence to their efforts to open up to soc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d74a262a78c981b8fdf6f1a0e3030f8e
https://doi.org/10.3828/liverpool/9781800348363.001.0001
https://doi.org/10.3828/liverpool/9781800348363.001.0001
Autor:
Marcus Stiglegger, Eugenio Ercolani
Publikováno v:
Cruising
This chapter analyses the roles played by the various character actors that took part in the film, among which we find such names as James Remar, Joe Spinell, Powers Boothe, and Paul Sorvino. This essay is also an analysis of the function of each cha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c67a3187fa63e8431cb347d076e2307
https://doi.org/10.3828/liverpool/9781800348363.003.0007
https://doi.org/10.3828/liverpool/9781800348363.003.0007