Zobrazeno 1 - 10
of 34
pro vyhledávání: '"Eugénie Zvonkine"'
Autor:
Eugénie Zvonkine, Anatoli Vlassov
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Vol 14 (2022)
This discussion took place on 21 October 2021, during a seminar, “Filming Sensation”, organised by Dominique Chateau, professor emeritus at the University Paris 8, and José Moure, professor at the University Paris 1 Panthéon Sorbonne and direct
Externí odkaz:
https://doaj.org/article/481ed1564bdd47d986908a2c64b93e47
Autor:
Oleg Aronson, Amanda Barbour, Olga Bryukhovetska, Philip Cavendish, Natascha Drubek, Heleen Gerritsen, Nick Holdsworth, Kior Janev, Karol Jóźwiak, Catriona Kelly, Ilja Kukuj, John Leman Riley, Irina Schulzki, Taras Spivak, Denise J. Youngblood, Eugénie Zvonkine
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Iss 10 (2020)
DAU is an experimental project at the intersection of performance art and cinema, initiated and led by Ilya Khrzhanovsky, and taking as its subject the Soviet Nobel laureate Lev Landau (1908–1968), a theoretical physicist who worked in the Physico-
Externí odkaz:
https://doaj.org/article/998c3c54f15441e39a31affe4c40efe7
Autor:
Eugénie Zvonkine
Publikováno v:
Mise au Point, Vol 2 (2010)
The specific perception of films through the prism of historical and cultural studies (with examples based on Kira Muratova’s first features).When one studies the Soviet cinema, it appears that many texts on the subject (and especially on films of
Externí odkaz:
https://doaj.org/article/694f45bd71c54fda891af30964c33f8c
Publikováno v:
Sergueï Loznitsa ISBN: 9782757436066
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e4a46d920429cc72849b7bf98f12db5
https://doi.org/10.4000/books.septentrion.131126
https://doi.org/10.4000/books.septentrion.131126
Autor:
Eugénie Zvonkine
Publikováno v:
Post-cinema ISBN: 9789048551941
Post-cinema
Post-cinema
What is DAU? Is it Ilya Khrzhanovsky’s project or films or main character? In order to clarify this complexity, Eugénie Zvonkine proposes “write[ing] DAU for the whole project, Dau for the films and Dau to designate the main character.” Fascin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d5a962361b2fdcbff2c865d6d6f50b4d
https://doi.org/10.2307/j.ctv1b0fvtp.21
https://doi.org/10.2307/j.ctv1b0fvtp.21
Autor:
José Moure, Dominique Chateau, Dudley Andrew, André Gaudreault, Philippe Marion, Céline Scemama, Victor Burgin, Giovanna Fossati, Annie Oever, Christophe Génin, François Jost, Malte Hagener, Francesco Casetti, Andrea Pinotti, Miriam Rosa, Gabriela Rivadeneira Crespo, Richard Conte, Christophe Viart, Eugénie Zvonkine, Gérard Courant, Wang Bing
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question wi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb0f0934cf56b46ebcd440de04ba181e
https://doi.org/10.5117/9789463727235
https://doi.org/10.5117/9789463727235
Autor:
Eugénie Zvonkine
Publikováno v:
Cahiers du monde russe. 59:712-715
L’ouvrage Socialist Senses d’Emma Widdis est une exploration de la sensation et de l’« hapticite » dans le cinema sovietique de 1917 a 1941. L’ouvrage ne se veut pas un ouvrage historique sur le cinema, mais plutot un travail d’histoire c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9691fc5a233d47adf346d8b238dc38d9
https://doi.org/10.4000/monderusse.10893
https://doi.org/10.4000/monderusse.10893