Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Etami Borjan"'
Autor:
Etami Borjan
Publikováno v:
Umjetnost Riječi, Vol 65, Iss 3-4, Pp 153-179 (2021)
he article discusses cinematic representations of memory and trauma in post-Yugoslav documentary and feature films that depict political and social reality in the post-socialist period. Through different modes of representation, from retrospective
Externí odkaz:
https://doaj.org/article/2812ec873652452ab0830422b5e4750d
Autor:
Etami Borjan
Publikováno v:
Anafora, Vol VII, Iss 2, Pp 505-519 (2020)
Cesare Zavattini was an acclaimed neorealist screenwriter and a theorist of neorealism. He has played a pivotal role in the critical rethinking of the new postwar Italian cinema although many of his concepts were considered avant-garde for that perio
Externí odkaz:
https://doaj.org/article/dc5f0bf8fa7842cf833fd505f02ce0bf
Autor:
Etami, Borjan
Publikováno v:
Etnološka tribina : Godišnjak Hrvatskog etnološkog društva / Etnološka tribina : Journal of Croatian Ethnological Society. 42(35):113-136
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=133391
Autor:
Etami Borjan
Publikováno v:
Filozofska istraživanja
Volume 40
Issue 4
Volume 40
Issue 4
Pojava digitalnih tehnologija u filmu promijenila je postojeće modele produkcije, distribucije i recepcije. Neki teoretičari gledaju na digitalnu tehnologiju kao prijetnju indeksnom fotografskom realizmu te vjeruju da se ta ista karakteristika zane
Autor:
Etami Borjan
Publikováno v:
Književna smotra : Časopis za svjetsku književnost
Volume 49
Issue 186(4)
Volume 49
Issue 186(4)
The Italian South has been represented through the stereotypes of violence, economic underdevelopment, age-old traditions, isolation and poverty. Over the decades cinema has played a pivotal role in creating and promoting an exotic image of the South
Autor:
Etami Borjan, Sarah Pink, Michaela Schauble, Tanja Bukovčan, Sanja Puljar D'Alessio, Aleksej Gotthardi-Pavlovsky
Publikováno v:
Etnološka tribina : Godišnjak Hrvatskog etnološkog društva
Volume 43
Issue 36
Volume 43
Issue 36
Film je bio značajan instrument kolonijalne proizvodnje etnografskog Drugog. Predodžbe stvaraju koncepte te otjelovljuju kulturne koncepte. One provode simboličke oblike moći. Etnografski film nije samo reprezentacija stvarnosti, već i konstrukc
Autor:
Etami Borjan
Publikováno v:
Etnološka tribina : Godišnjak Hrvatskog etnološkog društva
Volume 42
Issue 35
Volume 42
Issue 35
Ernesto De Martino jedan je od najznačajnijih talijanskih etnologa koji je istraživao utjecaj katoličanstva na poganske obrede u pokrajinama na jugu Italije. Zbog njegovog kritičkog odnosa prema eurocentričnim kategorijama uvriježenim u poslije
Autor:
Etami Borjan
The aim of the paper is to discuss several topics related to Zavattini’ s idea of cinema that differs in many aspects from the generally accepted neorealist approach. Through the analysis of an episode in the film Love in the City, La storia di Cat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::42c9471d0f92fbcddea371f845be1cd8
https://www.bib.irb.hr/397767
https://www.bib.irb.hr/397767
Autor:
Etami Borjan
The paper analyzes Italian ethnographic documentaries on possession, exorcist rites and ritual dances shot in South Italian rural communities. The aim of the paper is to analyze the ways in which these “social dramas”, as Victor Turner calls them
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::d0121e4871137beb27c7920df4862a49
https://www.bib.irb.hr/453847
https://www.bib.irb.hr/453847
Autor:
Etami Borjan
Although Luigi Pirandello is a world-renowned writer his works on cinema are not widespread. The paper compares his ideas with the existent theories on cinema in Italy in the first decades of the 20th century. His article “ Can sound cinema destroy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::1e73fe1491a9558819c6f03076e9500d
https://www.bib.irb.hr/453848
https://www.bib.irb.hr/453848