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pro vyhledávání: '"Estella Tincknell"'
Autor:
Estella Tincknell
Publikováno v:
Celebrity Studies. :1-16
`This is a tour de force… It combines luminous discussion of the core conceptual issues of cultural studies, with a hard-headed, practical sense of how research in the field gets done. The result is a seriously smart, comprehensive survey of the wh
Autor:
Estella Tincknell
Publikováno v:
Women, Ageing and the Screen Industries ISBN: 9783031183843
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b553923cbe0b9fd6e7f1125a506ef382
https://doi.org/10.1007/978-3-031-18385-0_11
https://doi.org/10.1007/978-3-031-18385-0_11
Autor:
Estella Tincknell
Publikováno v:
Journal of British Cinema and Television. 18:131-151
This article explores the discursive intersections of masculinity, class and heterosexual desire in the still undervalued British police procedural film, Jigsaw. It considers the film both as an example of a new style of cinematic crime narrative and
Autor:
Estella Tincknell
Publikováno v:
Feminist Media Studies. 20:135-150
Representations of older women of South Asian heritage in British cinema are often assumed to do little more than reiterate familiar stereotypes. Yet some British comedy films and TV shows ...
Autor:
Estella Tincknell
Publikováno v:
Journal of British Cinema and Television. 12:6-24
© Edinburgh University Press. Hattie Jacques was a key figure in British postwar popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the C
Autor:
Estella Tincknell
Publikováno v:
The Soundtrack. 7:63-66
Autor:
Estella Tincknell
Publikováno v:
Journal of British Cinema and Television. 10:769-784
The extensive commercial success of two well-made popular television drama serials screened in the UK at prime time on Sunday evenings during the winter of 2011–12, Downton Abbey (ITV, 2010–) and Call the Midwife (BBC, 2012–), has appeared to c
Autor:
Estella Tincknell
Publikováno v:
The Soundtrack. 4:67-70