Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Esiaba Irobi"'
What They Came With - Carnival and the Persistence of African Performance Aesthetics in the Diaspora
Autor:
Esiaba Irobi
Publikováno v:
Projeto História, Vol 44 (2013)
Externí odkaz:
https://doaj.org/article/3f82bd750bb6495fb89baceb00e80e12
Autor:
Esiaba Irobi
Publikováno v:
Philosophia Africana. 11:1-4
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c92b4d3f814df0910994fcb7db2ee6db
https://doi.org/10.5840/philafricana20081118
https://doi.org/10.5840/philafricana20081118
Autor:
Esiaba Irobi
Publikováno v:
Philosophia Africana. 11:75-88
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::823ce4ccb4e7761157df521f96388240
https://doi.org/10.5840/philafricana200811113
https://doi.org/10.5840/philafricana200811113
Autor:
Esiaba Irobi
Publikováno v:
Journal of Black Studies. 37:896-913
This article identifies what was on the continent as festival and ritual performance forms before the Europeans arrived and what the Africans who survived the Atlantic sea crossing came with as “performative literacies” to the Brave New World. Th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e7aeae6fd2e51d1c044dc8fb784815d2
https://doi.org/10.1177/0021934705283774
https://doi.org/10.1177/0021934705283774
Autor:
Esiaba Irobi
Publikováno v:
New Theatre Quarterly. 22:268-282
Europe’s colonial presence on the African continent from 1885 to the 1960s produced complex discourses about race and its representation. Whereas the Europeans constructed their putative images of Africans as inferior beings through radio, televisi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::88ebff0f0b876610bf47271d8b171361
https://doi.org/10.1017/s0266464x06000479
https://doi.org/10.1017/s0266464x06000479
Autor:
Esiaba Irobi
Publikováno v:
South African Theatre Journal. 19:223-241
The study of indigenous African Community Drama can be argued to have gone through three predominant phases of theatre scholarship namely: Denial, Validation and Descriptive Analysis. In this essay I want to go beyond these primary forms of academic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c309270943a6544bdc2316dea271400
https://doi.org/10.1080/10137548.2005.9687813
https://doi.org/10.1080/10137548.2005.9687813
Autor:
Esiaba Irobi
Publikováno v:
Matatu. 33:34-36
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ab21cec815f5ff3835d69575b936a3d
https://doi.org/10.1163/18757421-033001013
https://doi.org/10.1163/18757421-033001013
Autor:
Esiaba Irobi
Publikováno v:
Research in African Literatures. 36:142-144
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eca0c3e9cd3fd72a7f00210afb541f4d
https://doi.org/10.2979/ral.2005.36.2.142
https://doi.org/10.2979/ral.2005.36.2.142
Autor:
Esiaba Irobi
Publikováno v:
Research in African Literatures. 36:142-144
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8879b1fcb2266e9afb6f56659e90f656
https://doi.org/10.1353/ral.2005.0122
https://doi.org/10.1353/ral.2005.0122
Autor:
Angus Calder, Jacqueline Kaye, Monica Turd, Jon Kear, Annalisa Oboe, Shaun Richards, Rod Edmond, D.C.R.A. Goonetilleke, Robert J.C. Young, Kelley King Reidt, Anthony Ilona, John Robert Lee, Stewart Brown, Neville Grant, Femi Abodunrin, Esiaba Irobi
Publikováno v:
Wasafiri. 10:63-87
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::71dab623bd9d1af55e969bdbac8ef8fd
https://doi.org/10.1080/02690059408574371
https://doi.org/10.1080/02690059408574371