Zobrazeno 1 - 10
of 33
pro vyhledávání: '"Erik Geelhoed"'
Publikováno v:
Journal of Music, Technology and Education. 10:257-275
Telematic performance offers significant potential for musicians in remote communities to perform together, increasing access to the type of ensemble music-making that is commonplace in urban areas. This article presents a range of perspectives taken
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cc92c54b6a05e13850e4ff87b775c5a8
https://doi.org/10.1386/jmte.10.2-3.257_1
https://doi.org/10.1386/jmte.10.2-3.257_1
Autor:
Erik Geelhoed, Michael Rofe
Publikováno v:
Journal of Music, Technology and Education. 10:231-255
Three new works were commissioned for the pilot performance of Online Orchestra: In Sea-Cold Lyonesse by John Pickard, Spiritus Telecommunitas by Federico Reuben and Re-Tracing by Jim Aitchison. This article brings together post-project interviews wi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5ef6baf3d0f012c41143bfec7e00ce42
https://doi.org/10.1386/jmte.10.2-3.231_1
https://doi.org/10.1386/jmte.10.2-3.231_1
Autor:
Chen Wang, Erik Geelhoed, Ian Biscoe, Pablo Cesar, Kuldip Singh-Barmi, Jack Jansen, Rene Kaiser
Publikováno v:
Multimedia Tools and Applications, 76(4), 5573-5606
This article presents the results of modelling audience response to new types of networked theatre plays. As the main contribution of the work we introduce two types of metrics: intensity, relating to how intensively co-present and remote aspects of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::87abd8e938267bdd0fcf42bedcbda6ad
https://ir.cwi.nl/pub/25045
https://ir.cwi.nl/pub/25045
Publikováno v:
Journal of Green Building. 10:215-233
Residential homes account for the largest share of carbon emissions in the UK. Making new homes and existing ones more sustainable is essential to achieving the legally binding target of 80% reduction in carbon emissions by 2050. Small builders have
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b44a3dcb98ef2f05d70829f5b2926997
https://doi.org/10.3992/jgb.10.2.215
https://doi.org/10.3992/jgb.10.2.215
Online Orchestra is a telematic performance project that aimed to enable young and amateur musicians to make music online. Part of the aim of the project was to assess the extent to which specialist equipment is needed in order to enable a high-quali
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5f21bc3509d52d851702fa1e36e6e9a7
https://repository.falmouth.ac.uk/2795/1/JMTE_10_2-3_art_5_Microphone_Evaluation_and_Cost_Benefit_Analysis.pdf
https://repository.falmouth.ac.uk/2795/1/JMTE_10_2-3_art_5_Microphone_Evaluation_and_Cost_Benefit_Analysis.pdf
Publikováno v:
Reanimating Regions
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8e13e8125093d35f30fce0ce7444816
https://doi.org/10.4324/9781315679723-19
https://doi.org/10.4324/9781315679723-19
Publikováno v:
TVX
Consumer live video communication has now become an established communication medium, but the current systems are still quite limited in their ability to support natural communication in more complex interaction setups. What new features might be req
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3dfa7518b1c066da95d972c58c9bbb7d
https://doi.org/10.1145/2932206.2932215
https://doi.org/10.1145/2932206.2932215
Publikováno v:
Ubiquity: The Journal of Pervasive Media. 1:33-64
The article is a write-up of an experiment comparing the reactions to films of theatre performance captured using traditional methods with those including point of view and stage object mounted cameras. The motivation was to extend the theatre experi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::745d14964ae237253aebef1e5a71adf2
https://doi.org/10.1386/ubiq.1.1.33_1
https://doi.org/10.1386/ubiq.1.1.33_1
Autor:
Michael Frantzis, Bill Scott, Douglas L. Williams, Ian Kegel, Andras Horti, Jack Jansen, Pablo Cesar, Marian F. Ursu, Erik Geelhoed
Publikováno v:
ACM Multimedia
This paper reports on an experimental production of The Tempest that was developed in collaboration with Miracle Theatre Company realised as a distributed performance from two separate stages through a dynamically configured telepresence system. The
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b771f2b616a245bd0a38bfdee055e5f
https://doi.org/10.1145/2733373.2806272
https://doi.org/10.1145/2733373.2806272
Publikováno v:
IEEE MultiMedia, 22(3), 4-9
The Tempest was probably the last play that Shakespeare wrote alone. It is unlikely that he would contemplate it being performed 400 years later, and even more unlikely that he could imagine an adaptation that allowed it to be performed as single pla
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7f5d0a2002a991a6810f21c01b2d68d1
https://ir.cwi.nl/pub/23637
https://ir.cwi.nl/pub/23637