Zobrazeno 1 - 10
of 349
pro vyhledávání: '"Eric F. Clarke"'
Autor:
Dunsby, Jonathan1 jdunsby@esm.rochester.edu
Publikováno v:
Music & Letters. Nov2018, Vol. 99 Issue 4, p704-711. 8p.
Empirical research into large ensemble performance has crossed many disciplinary boundaries from music education to management studies, and has included the investigation of musicians’ interpersonal coordination and communication, group creativity
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f42de3a6d11bd643fa1ec1e4bdfcdcb8
https://doi.org/10.1093/oso/9780198860761.003.0015
https://doi.org/10.1093/oso/9780198860761.003.0015
Publikováno v:
PLoS ONE, Vol 10, Iss 9, p e0139409 (2015)
Externí odkaz:
https://doaj.org/article/8bb767bb7944436f9dd9452700ca2f06
Autor:
Eric F. Clarke
Publikováno v:
Empirical Musicology Review, Vol 1, Iss 1, Pp 28-32 (2006)
Erkki Huovinen’s “Varieties of Musicological Empiricism” provides a valuable analysis of some of the theoretical predicaments raised by pursuing an empirical musicology. But in this commentary, I argue for a less programmatic, and more pragmati
Externí odkaz:
https://doaj.org/article/1e872b07834e47f8a5e2262069387e20
Publikováno v:
PLoS ONE, Vol 9, Iss 4, p e94446 (2014)
Moving to music is an essential human pleasure particularly related to musical groove. Structurally, music associated with groove is often characterised by rhythmic complexity in the form of syncopation, frequently observed in musical styles such as
Externí odkaz:
https://doaj.org/article/743d9013fbde436999b78a244c718d37
Autor:
Adam Linson, Eric F. Clarke
This chapter proposes a way to understand the social, distributed and ecological underpinnings of improvised musical activity. It argues that significant aspects of collaborative performance may arise from perceptual, cognitive and action-orientated
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::24881fdca07f29a8b183f1531c94fb96
https://doi.org/10.1093/oso/9780199355914.003.0004
https://doi.org/10.1093/oso/9780199355914.003.0004
Autor:
Eric F. Clarke, Mark Doffman
The Western art music stereotype, or perhaps caricature, of the remote composer handing down monolithic and authoritative scores to obedient performers whose role is faithfully to convert the notation into sound has been challenged by a number of dev
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b261541cbb849566ba0a3d79a32542a3
https://doi.org/10.1093/oso/9780199355914.003.0001
https://doi.org/10.1093/oso/9780199355914.003.0001
Autor:
Eric F. Clarke, Mark Doffman
Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative pr
Autor:
Eric F. Clarke
Publikováno v:
The Routledge Companion to Music Cognition ISBN: 9781315194738
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f4fcffd2e0fa600e493407f539f23aea
https://doi.org/10.4324/9781315194738-43
https://doi.org/10.4324/9781315194738-43
Autor:
Eric F. Clarke
Publikováno v:
The Routledge Companion to Philosophy and Music ISBN: 9780203830376
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a314a19c2a175f81ff0b291ad14e2999
https://doi.org/10.4324/9780203830376.ch55
https://doi.org/10.4324/9780203830376.ch55