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Autor:
Epstein, Louis Kaiser
This dissertation illuminates the funding contexts that structured art music composition in interwar France. While music historiography tends to focus solely on patronage - an ill-defined and limited category - as the paradigmatic economy within whic
Externí odkaz:
http://dissertations.umi.com/gsas.harvard:10952
http://nrs.harvard.edu/urn-3:HUL.InstRepos:11095962
http://nrs.harvard.edu/urn-3:HUL.InstRepos:11095962
