Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Emmanuelle Delanoë-Brun"'
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
Transatlantica, Vol 2 (2023)
Externí odkaz:
https://doaj.org/article/301d1da4fc364bd09b205623e37a40ce
Autor:
Emmanuel Ferragne, Anne Guyot Talbot, Margaux Cecchini, Martine Beugnet, Emmanuelle Delanoë-Brun, Laurianne Georgeton, Christophe Stécoli, Jean-François Bonastre, Corinne Fredouille
Publikováno v:
Languages, Vol 9, Iss 2, p 55 (2024)
People’s perception of forensic evidence is greatly influenced by crime TV series. The analysis of the human voice is no exception. However, unlike fingerprints—with which fiction and popular beliefs draw an incorrect parallel—the human voice v
Externí odkaz:
https://doaj.org/article/1002df505da746debe34accc342f61c1
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
Transatlantica, Vol 1 (2023)
Externí odkaz:
https://doaj.org/article/a002a8d404284c28b43b8d1b04b2ee51
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
TV Series, Vol 5 (2014)
At a time when death, by proscription, has entered into crisis in western societies, we have reason to wonder about the multiplication of corpses in TV shows. The more that the body is sublimated and abstracted from the ruin of time in idealized repr
Externí odkaz:
https://doaj.org/article/089772442dee430c827ae579c5f7cfe8
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
TV Series, Vol 1 (2012)
From the series X-Files, what often stands out is the paranoid structure around which the continuity of the principal storyline is constructed — the conspiracy theory that structures, or at least provides unity, over the course of seasons, beyond t
Externí odkaz:
https://doaj.org/article/4c4922abfb4e411fb9181cb87ef46e2c
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
Sillages Critiques, Vol 11 (2010)
Beyond considerations regarding the degree of continuity or discrepancy between the original work and its filmed version, Stanley Kubrick’s adaptation of Nabokov’s novel fits into a body of cinematographic work that relentlessly probes the questi
Externí odkaz:
https://doaj.org/article/9d79ea089d5f47f79d24a983fa9e63ac
Réécrire l’histoire du/au cinéma : The Birth of a Nation de Nate Parker, et l’ombre de D.W. Griffith
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
Transatlantica, Vol 1
Externí odkaz:
https://doaj.org/article/fca515b187a949258be09d92325371bf
Publikováno v:
French Screen Studies. 21:204-223
Julia Ducournau’s Grave (2018) takes place within the confines of an isolated veterinary school, where humans and animals coexist as part of a highly codified environment. Against the backdrop of t...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::968ff3e2810a2d8e6045034ad5d56e4b
https://doi.org/10.1080/26438941.2021.1920705
https://doi.org/10.1080/26438941.2021.1920705
Autor:
Emmanuel Ferragne, Anne Guyot-Talbot, Margaux Cecchini, Martine Beugnet, Emmanuelle Delanoë-Brun, Laurianne Georgeton, Christophe Stécoli, Jean-François Bonastre, Corinne Fredouille
Publikováno v:
XXXIVe Journées d'Études sur la Parole -- JEP 2022.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4f02f2c2a9ac3139d8ee12fc3490351d
https://doi.org/10.21437/jep.2022-63
https://doi.org/10.21437/jep.2022-63
Autor:
Emmanuelle Delanoë-Brun
Publikováno v:
Revue française d’études américaines. :29-52
Is feminism compatible with mainstream TV cop shows? In the early 1980s, Cagney and Lacey made an impact on television. With its openly feminist agenda, the show broke away from a tradition of glamorized female law enforcers on screen, concentrating
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::322c691f44a583c98062916b47154f2a
https://doi.org/10.3917/rfea.158.0029
https://doi.org/10.3917/rfea.158.0029