Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Emma Whipday"'
Autor:
Emma Whipday
Domestic tragedy was an innovative genre, suggesting that the lives and sufferings of ordinary people were worthy of the dramatic scope of tragedy. In this compelling study, Whipday revises the narrative of Shakespeare's plays to show how this genre,
Autor:
Emma Whipday
This edited collection of essays brings together leading scholars of early modern drama and playhouse culture to reflect upon the study of playing and playgoing in early modern England. With a particular focus on the player-playgoer exchange as a sit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b541106ab90e24fad02abbeb6493a923
https://doi.org/10.1017/9781108773775
https://doi.org/10.1017/9781108773775
Publikováno v:
Shakespeare. 16:60-67
Filial impiety, domestic disorder, and a sizeable helping of song: the evening of 1 March 2019 saw all these presented to the audience gathered at Newcastle University, as we staged a reading of Th...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::918918a988bf935e20e41b4783eb49c2
https://doi.org/10.1080/17450918.2019.1657173
https://doi.org/10.1080/17450918.2019.1657173
Autor:
Emma Whipday
Publikováno v:
Titus Andronicus
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::51dba56b628d5c15bf0621ae27e6ff56
https://doi.org/10.5040/9781350027428.ch-011
https://doi.org/10.5040/9781350027428.ch-011
Autor:
Emma Whipday
What is (a) play? How do Shakespeare's plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how do
Autor:
Simon Smith, Emma Whipday
This edited collection of essays brings together leading scholars of early modern drama and playhouse culture to reflect upon the study of playing and playgoing in early modern England. With a particular focus on the player-playgoer exchange as a sit
Autor:
Cox, Jensen, F, Emma Whipday
Publikováno v:
Shakespeare Bulletin. 35:289-307
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::74899cdd209cf8303eed915403a66cb5
https://doi.org/10.1353/shb.2017.0018
https://doi.org/10.1353/shb.2017.0018
Autor:
Emma Whipday, Sarah Lewis
Publikováno v:
Lewis, S & Whipday, E 2019, ' Sounding Offstage Worlds : Experiencing Liminal Space and Time in Macbeth and Othello ', Shakespeare, vol. 15, no. 3, pp. 272-282 . https://doi.org/10.1080/17450918.2019.1640275
This article explores the relationship between sound, liminal space, and time in key scenes from Macbeth and Othello. Building on a practical workshop which took place at the Sam Wanamaker Playhouse in 2016, in which the authors asked how offstage so
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::46ab99feb99ac0f08abbb88e0b448185
https://kclpure.kcl.ac.uk/en/publications/22780651-f2cb-4cea-9d74-ce442ce690bb
https://kclpure.kcl.ac.uk/en/publications/22780651-f2cb-4cea-9d74-ce442ce690bb