Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Emilien Leonhardt"'
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-10 (2020)
Abstract The 2018 technical examination project The Girl in the Spotlight aimed to characterise the materials and techniques that Johannes Vermeer used to paint Girl with a Pearl Earring (c. 1665, Mauritshuis). Five research questions guided the micr
Externí odkaz:
https://doaj.org/article/409f5e5c73c9472d8647f56a1927ab3e
Autor:
Annelies van Loon, Alessa A. Gambardella, Victor Gonzalez, Marine Cotte, Wout De Nolf, Katrien Keune, Emilien Leonhardt, Suzan de Groot, Art Ness Proaño Gaibor, Abbie Vandivere
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-18 (2020)
Abstract Johannes Vermeer (1632–1675) is known for his brilliant blue colours, and his frequent use of the costly natural ultramarine. This paper reveals new findings about ultramarine in the headscarf of Girl with a Pearl Earring (c. 1665, Maurits
Externí odkaz:
https://doaj.org/article/cff9433214744bae9dea7cb45b4f65df
Autor:
Annelies van Loon, Abbie Vandivere, John K. Delaney, Kathryn A. Dooley, Steven De Meyer, Frederik Vanmeert, Victor Gonzalez, Koen Janssens, Emilien Leonhardt, Ralph Haswell, Suzan de Groot, Paolo D’Imporzano, Gareth R. Davies
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-20 (2019)
Abstract The soft modelling of the skin tones in Vermeer’s Girl with a Pearl Earring (Mauritshuis) has been remarked upon by art historians, and is their main argument to date this painting to c. 1665. This paper describes the materials and techniq
Externí odkaz:
https://doaj.org/article/0af5342fb17747ea863c57abe372ddbc
Autor:
Willemijn S. Elkhuizen, Tom W. J. Callewaert, Emilien Leonhardt, Abbie Vandivere, Yu Song, Sylvia C. Pont, Jo M. P. Geraedts, Joris Dik
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-22 (2019)
Abstract A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can be affected by changes in and damages to these layers. Crack formation in the m
Externí odkaz:
https://doaj.org/article/2d6bf09f600b466896ebf17682784abf
Autor:
Abbie Vandivere, Annelies van Loon, Kathryn A. Dooley, Ralph Haswell, Robert G. Erdmann, Emilien Leonhardt, John K. Delaney
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-16 (2019)
Abstract The initial steps that Johannes Vermeer took to create Girl with a Pearl Earring (c. 1665) are, partially or completely, hidden beneath the painted surface. Vermeer’s painting technique involved applying underlayers that vary in colour and
Externí odkaz:
https://doaj.org/article/80f662aa642e47c9b082a4a48f9048c8
Autor:
Abbie Vandivere, Annelies van Loon, Tom Callewaert, Ralph Haswell, Art Ness Proaño Gaibor, Henk van Keulen, Emilien Leonhardt, Joris Dik
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-19 (2019)
Abstract The background of Vermeer’s Girl with a Pearl Earring (c. 1665, Mauritshuis) has, until recently, been interpreted as a flat dark space. The painting was examined in 2018 as part of the research project The Girl in the Spotlight using a co
Externí odkaz:
https://doaj.org/article/514df261d3f44906b47d32b5f22b8306
Autor:
John K. Delaney, Kathryn A. Dooley, Robert G. Erdmann, Annelies van Loon, Ralph Haswell, Emilien Leonhardt, Abbie Vandivere
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-16 (2019)
The initial steps that Johannes Vermeer took to create Girl with a Pearl Earring (c. 1665) are, partially or completely, hidden beneath the painted surface. Vermeer’s painting technique involved applying underlayers that vary in colour and thicknes
Autor:
Steven De Meyer, Koen Janssens, Paolo D’Imporzano, Victor Gonzalez, John K. Delaney, Suzan de Groot, Kathryn A. Dooley, Frederik Vanmeert, Annelies van Loon, Emilien Leonhardt, Gareth Davies, Abbie Vandivere, Ralph Haswell
Publikováno v:
Heritage Science, 7(1):102. Springer Science + Business Media
Heritage Science 7(1), 102 (2019). doi:10.1186/s40494-019-0344-0
Heritage Science, Vol 7, Iss 1, Pp 1-20 (2019)
van Loon, A, Vandivere, A, Delaney, J K, Dooley, K A, De Meyer, S, Vanmeert, F, Gonzalez, V, Janssens, K, Leonhardt, E, Haswell, R, de Groot, S, D’Imporzano, P & Davies, G R 2019, ' Beauty is skin deep : the skin tones of Vermeer’s Girl with a Pearl Earring ', Heritage Science, vol. 7, no. 1, 102 . https://doi.org/10.1186/s40494-019-0344-0
Heritage science
Heritage Science 7(1), 102 (2019). doi:10.1186/s40494-019-0344-0
Heritage Science, Vol 7, Iss 1, Pp 1-20 (2019)
van Loon, A, Vandivere, A, Delaney, J K, Dooley, K A, De Meyer, S, Vanmeert, F, Gonzalez, V, Janssens, K, Leonhardt, E, Haswell, R, de Groot, S, D’Imporzano, P & Davies, G R 2019, ' Beauty is skin deep : the skin tones of Vermeer’s Girl with a Pearl Earring ', Heritage Science, vol. 7, no. 1, 102 . https://doi.org/10.1186/s40494-019-0344-0
Heritage science
Heritage Science 7(1), 102 (2019). doi:10.1186/s40494-019-0344-0
The soft modelling of the skin tones in Vermeer’s Girl with a Pearl Earring (Mauritshuis) has been remarked upon by art historians, and is their main argument to date this painti
The soft modelling of the skin tones in Vermeer’s Girl with a Pearl Earring (Mauritshuis) has been remarked upon by art historians, and is their main argument to date this painti
Autor:
Emilien Leonhardt, Tom Callewaert, Yu Song, Willemijn S. Elkhuizen, Abbie Vandivere, Joris Dik, Jo M. P. Geraedts, Sylvia C. Pont
Publikováno v:
Heritage Science, Vol 7, Iss 1, Pp 1-22 (2019)
Heritage Science, 7(1)
Heritage Science, 7(1)
A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can be affected by changes in and damages to these layers. Crack formation in the multi-laye