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pro vyhledávání: '"Emerson Dionisio de Oliveira"'
Autor:
Emerson Dionisio de Oliveira
Publikováno v:
OBOE, Vol 4, Iss 1 (2023)
The presence of so-called “primitive” or “innocent” artists at the 9th Bienal de São Paulo (1967), within the vocabulary of popular art, was marked by frank and open public debate between the selection jury of the event and the critics of th
Externí odkaz:
https://doaj.org/article/15cc8639152c4077bdc31212dcdc36b5
