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of 51
pro vyhledávání: '"Elzbieta Sklodowska"'
Autor:
Elzbieta Sklodowska
Publikováno v:
Visitas al Patio, Vol 17, Iss 1 (2023)
En el canónico poema “Amo a mi amo” de Nancy Morejón (n. 1944, Cuba), la “afectividad racializada” (Tyrone S. Palmer) que emerge del contacto violento entre los cuerpos y las subjetividades de una mujer negra esclavizada y un hombre blanco
Externí odkaz:
https://doaj.org/article/d1cb16e9142144f3903caf37f32a3cdd
Autor:
Elzbieta Sklodowska
Publikováno v:
Kamchatka: Revista de Análisis Cultural, Iss 6 (2015)
Resumen: Este artículo ofrece un panorama de las diversas formas narrativas que suelen agruparse bajo el rubro de testimonio latinoamericano. Una vez esbozadas las principales corrientes en los debates críticos generados por el testimonio, este art
Externí odkaz:
https://doaj.org/article/02fd0118443b4506a3ba0094d6a447a5
Autor:
Elzbieta Sklodowska
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 19, Iss 1 (1995)
In pursuing the relation of Sea of Lentils (1979) to the Spanish American literary canon, I argue that while Benítez-Rojo's novel did not fall into the category of the already canonized—and therefore was spared a parricidal gesture of the Post-Boo
Externí odkaz:
https://doaj.org/article/e06e761eb94a4771bfe94b92cecfce8c
Autor:
Elzbieta Sklodowska
Publikováno v:
Journal of Latin American Cultural Studies. 30:277-290
The disintegration of the Cuban sugar industry after the Soviet Union’s demise, as depicted in the film Melaza (dir. Carlos Lechuga, 2012), serves as a point of departure for a more general analysi...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::551eddb5127303578a77fcc49bfedab2
https://doi.org/10.1080/13569325.2021.1919068
https://doi.org/10.1080/13569325.2021.1919068
Autor:
Elzbieta Sklodowska
Publikováno v:
Revista de Estudios Hispánicos. 53:817-820
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::05194d99184d4f033588ca43e6968117
https://doi.org/10.1353/rvs.2019.0065
https://doi.org/10.1353/rvs.2019.0065
Autor:
Elzbieta Sklodowska
Publikováno v:
Handmade in Cuba
Ediciones Vigía’s use of found materials, spirit of improvisation, and aesthetic of bricolage echo the ethos of the Special Period, a time of extreme austerity measures prompted by the loss of Soviet subsidies in the early 1990s. Although Vigía w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7cee25470927eb1902ea32310014fba5
https://doi.org/10.5744/florida/9781683401520.003.0011
https://doi.org/10.5744/florida/9781683401520.003.0011
Autor:
Elzbieta Sklodowska
Publikováno v:
Postmodern Parody in Latin American Literature ISBN: 9783319904290
Sklodowska analyzes postmodern parody in Margarita Mateo Palmer’s 1995 experimental book Ella escribia poscritica [She Wrote Post-Criticism]. Uniquely steeped in the most radical (self-)parody, Ella escribia poscritica both merits and resists criti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5a7cd93eab31d25eda109ebc24148956
https://doi.org/10.1007/978-3-319-90430-6_8
https://doi.org/10.1007/978-3-319-90430-6_8